Mpc-Samples Krusty Kicks for MPC4000
This speciality collection features 128
crunchy and warm kick drums, professionally
sampled, edited and processed. All the kicks
have that satisfying vinyl thump associated
with retro 70s funk recordings perfect for
hip hop, downbeat and funk tracks. Dirty and
raw, dont expect this collection to be
squeeky clean it aint.
mpc samples/product.php/27/4/krusty kicks/
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2010/05/31
Mpc-Samples West Coast Drums for MPC4000
Mpc-Samples West Coast Drums for MPC4000
364 dope stereo drum samples inspired by
the beats of Dre, Snoop Dogg, The Pharcyde
and the whole West Coast Hip Hop sound phat
kicks, tight snares and a range of funked out
percussion sounds including hats, claps,
snaps, cymbals and shakers.
We?ve layered and tweaked the sounds so you don?t
have to, giving you instant Dre flavour straight
out of the pack. Check out the demos and order
this pack now for instant download no waiting,
no hassle, just download and inject some West Coast
vibe into your beats today!
mpc samples/product.php/94/4/west coast drums/
BUY Mpc-Samples West Coast Drums for MPC4000 5$
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364 dope stereo drum samples inspired by
the beats of Dre, Snoop Dogg, The Pharcyde
and the whole West Coast Hip Hop sound phat
kicks, tight snares and a range of funked out
percussion sounds including hats, claps,
snaps, cymbals and shakers.
We?ve layered and tweaked the sounds so you don?t
have to, giving you instant Dre flavour straight
out of the pack. Check out the demos and order
this pack now for instant download no waiting,
no hassle, just download and inject some West Coast
vibe into your beats today!
mpc samples/product.php/94/4/west coast drums/
BUY Mpc-Samples West Coast Drums for MPC4000 5$
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Music Rescue 4.0.12 for Mac
Music Rescue 4.0.12 for Mac
Your music library is precious. It contains all those memories
of your youth, or that first dance. With an iPod, it helps you
work out, keeps you company when you drive and drowns out that
noisy train ride into the city. Unfortunately, your music
library is fragile. If your computer dies and takes your music
with it, you still have your iPod, right? However, iTunes only
lets you transfer tracks bought from the iTunes Store back to
your new/fixed computer. What about those tracks ripped from CD,
or lovingly recorded from your vinyl collection? Enter Music
Rescue the answer to your nightmare. Music Rescue will copy
your music, video, podcasts, audiobooks, audio recordings and
notes right back to where they came from, be it iTunes, a custom
media server or anything else.
No matter what youd like to do, Music Rescue has you covered.
If you just want to recreate your entire iTunes library on a new
computer, QuickRecover is for you. If to copy only the tracks
that arent in your iTunes library to your network storage drive,
Sorting Presets allow you to customise how Music Rescue organises
your files on disk when theyre copied, and rules let you quickly
queue a set of tracks based on their metadata including whether
theyre in your local iTunes library or not.
Features:
Copies media from an iPod to your computer.
Adds tracks to iTunes and rebuilds playlists.
Supports all current iPods, including iPhone.
Compares iPod contents to local iTunes library.
Simple recovery of all media on your iPod.
kennettnet.co.uk/products/musicrescue/
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Your music library is precious. It contains all those memories
of your youth, or that first dance. With an iPod, it helps you
work out, keeps you company when you drive and drowns out that
noisy train ride into the city. Unfortunately, your music
library is fragile. If your computer dies and takes your music
with it, you still have your iPod, right? However, iTunes only
lets you transfer tracks bought from the iTunes Store back to
your new/fixed computer. What about those tracks ripped from CD,
or lovingly recorded from your vinyl collection? Enter Music
Rescue the answer to your nightmare. Music Rescue will copy
your music, video, podcasts, audiobooks, audio recordings and
notes right back to where they came from, be it iTunes, a custom
media server or anything else.
No matter what youd like to do, Music Rescue has you covered.
If you just want to recreate your entire iTunes library on a new
computer, QuickRecover is for you. If to copy only the tracks
that arent in your iTunes library to your network storage drive,
Sorting Presets allow you to customise how Music Rescue organises
your files on disk when theyre copied, and rules let you quickly
queue a set of tracks based on their metadata including whether
theyre in your local iTunes library or not.
Features:
Copies media from an iPod to your computer.
Adds tracks to iTunes and rebuilds playlists.
Supports all current iPods, including iPhone.
Compares iPod contents to local iTunes library.
Simple recovery of all media on your iPod.
kennettnet.co.uk/products/musicrescue/
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MusicLab RealLPC Standalone DXi VSTi 1.0
MusicLab RealLPC Standalone DXi VSTi 1.0
We are proud to present the long awaited RealLPC virtual guitar instrument
bringing the incomparable Les Paul Custom Guitar sound to your studio.
Gibsons Les Paul Custom, a higher end variation of the Gibson Les Paul
guitar has been used by the majority of world famous musicians, spanning
generations and genres, such as Wes Montgomery, Al Di Meola, Pat Metheny,
Chuck Berry, Jeff Beck, Peter Frampton, The Beatles, The Rolling Stones, Led
Zeppelin, B.B.King, Bob Marley, Eric Clapton, Carlos Santana, Gary Moore,
Eddie Van Halen, Lenny Kravitz, and many others.
RealLPC sample based virtual instrument with an innovative approach to
guitar sound modeling and guitar techniques emulating on a standard MIDI
keyboard.
RealLPC provides incredible playability based on the unique performance
modes and easy to use keyboard layout as well as the advanced
key/pedal/velocity switch system allowing a keyboardist to perform guitar
parts with a whole new level of realistic expression. RealLPC covers
practically all sounds, articulations, and techniques a professional
guitarist can produce on his Les Paul, including mute, bridge mute,
harmonics, pinch harmonics, unison bend, strumming, picking, chord chopping,
scrapes, and much more...
High quality dry samples recorded directly from Les Paul Custom pick ups
let you easily create any desired guitar sound using your favourite amplifier
simulator.
musiclab/products/reallpc_info.htm
BUY MusicLab RealLPC Standalone DXi VSTi 1.0 25$
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We are proud to present the long awaited RealLPC virtual guitar instrument
bringing the incomparable Les Paul Custom Guitar sound to your studio.
Gibsons Les Paul Custom, a higher end variation of the Gibson Les Paul
guitar has been used by the majority of world famous musicians, spanning
generations and genres, such as Wes Montgomery, Al Di Meola, Pat Metheny,
Chuck Berry, Jeff Beck, Peter Frampton, The Beatles, The Rolling Stones, Led
Zeppelin, B.B.King, Bob Marley, Eric Clapton, Carlos Santana, Gary Moore,
Eddie Van Halen, Lenny Kravitz, and many others.
RealLPC sample based virtual instrument with an innovative approach to
guitar sound modeling and guitar techniques emulating on a standard MIDI
keyboard.
RealLPC provides incredible playability based on the unique performance
modes and easy to use keyboard layout as well as the advanced
key/pedal/velocity switch system allowing a keyboardist to perform guitar
parts with a whole new level of realistic expression. RealLPC covers
practically all sounds, articulations, and techniques a professional
guitarist can produce on his Les Paul, including mute, bridge mute,
harmonics, pinch harmonics, unison bend, strumming, picking, chord chopping,
scrapes, and much more...
High quality dry samples recorded directly from Les Paul Custom pick ups
let you easily create any desired guitar sound using your favourite amplifier
simulator.
musiclab/products/reallpc_info.htm
BUY MusicLab RealLPC Standalone DXi VSTi 1.0 25$
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Musicrow Vintage Strings VSTi 1.0
Musicrow Vintage Strings VSTi 1.0
The lush strings sound of the 70s is back!
The distinctive sound of vintage strings machines like the
Arp Solina or Crumer Performer, can be heard on numerous music
productions.
It has been used by various musicians like:
Pink Floyd, Air, The Eagles, Elton John, The Cure, Joy Division,
OMD, Josh Wink, STYX, Tangerine Dream, Keane, Japan, New Order
to name few.
Crow Vintage Strings is a new super realistic strings machine
emulator,that reproduce the lush sound of analog string machines.
Like these old machines, Crow Vintage Strings is a synthesizer
that was especially designed to produce rich warm strings pads.
If you like the classic sound of analog strings machines,
Crow Vintage Strings was created for you!
Key Featues:
Vintage Strings has two main oscillators, each oscillator is made
of 7 detuned sub oscillators w/ a saw like waveform. You can set
the detune amount of the oscillators to get the exact strings
sound that you want. Each oscillator has a modulation knob that
determines how much pitch modulation is being assigned to the
oscillator. There is an envelope section that determines the
amplitude envelope attack and release. The timbre section
determines the brightness/darkness of the sound. The great
sounding chorus will add the final touch and will create wider
strings pads.
50+ presets for instant use are included!
System requirements:
Processor Pentium 4/AMD 1500 MHz or better
RAM 128 MB or more
Free disc space 3 MB of hard disk space
Operating System Windows 95 to Windows XP
Host Application Cubase SX/SL, Nuendo (1.5 or higher)
or other VST 2.0 compatible host application.
mcrow.net/
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The lush strings sound of the 70s is back!
The distinctive sound of vintage strings machines like the
Arp Solina or Crumer Performer, can be heard on numerous music
productions.
It has been used by various musicians like:
Pink Floyd, Air, The Eagles, Elton John, The Cure, Joy Division,
OMD, Josh Wink, STYX, Tangerine Dream, Keane, Japan, New Order
to name few.
Crow Vintage Strings is a new super realistic strings machine
emulator,that reproduce the lush sound of analog string machines.
Like these old machines, Crow Vintage Strings is a synthesizer
that was especially designed to produce rich warm strings pads.
If you like the classic sound of analog strings machines,
Crow Vintage Strings was created for you!
Key Featues:
Vintage Strings has two main oscillators, each oscillator is made
of 7 detuned sub oscillators w/ a saw like waveform. You can set
the detune amount of the oscillators to get the exact strings
sound that you want. Each oscillator has a modulation knob that
determines how much pitch modulation is being assigned to the
oscillator. There is an envelope section that determines the
amplitude envelope attack and release. The timbre section
determines the brightness/darkness of the sound. The great
sounding chorus will add the final touch and will create wider
strings pads.
50+ presets for instant use are included!
System requirements:
Processor Pentium 4/AMD 1500 MHz or better
RAM 128 MB or more
Free disc space 3 MB of hard disk space
Operating System Windows 95 to Windows XP
Host Application Cubase SX/SL, Nuendo (1.5 or higher)
or other VST 2.0 compatible host application.
mcrow.net/
BUY Musicrow Vintage Strings VSTi 1.0 10$
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NUSofting Pals Chorus VST
NUSofting Pals Chorus VST
NUSofting Pals may be effectively used both to increase fatness of Lead
sounds or to emulate a wide ensemble using pads or plucked sounds.
The modulation for all effect voices is provided by 4 LFOs, each LFO has
its own phase and rate values plus one LFO has the phase modulated, that
ensures a rich and varied modulation of the voices. VariAmnt adjust the depth
of the modulation for all voices.
For Lead sounds small amounts of Size and Time are preferred, where for
Pads you may use the full range. For saturated sound increase OutGain, that
will also boost the volume and is not reccomended for high pitched sounds.
When OutGain is tued hard left the volume is zero. When Stereo is tued
hard left the output is mono. NUSofting Pals may also be used both to tu a
mono sound into stereo or to tu a stereo sound into mono.
wusik/sounds_list.php?more29
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NUSofting Pals may be effectively used both to increase fatness of Lead
sounds or to emulate a wide ensemble using pads or plucked sounds.
The modulation for all effect voices is provided by 4 LFOs, each LFO has
its own phase and rate values plus one LFO has the phase modulated, that
ensures a rich and varied modulation of the voices. VariAmnt adjust the depth
of the modulation for all voices.
For Lead sounds small amounts of Size and Time are preferred, where for
Pads you may use the full range. For saturated sound increase OutGain, that
will also boost the volume and is not reccomended for high pitched sounds.
When OutGain is tued hard left the volume is zero. When Stereo is tued
hard left the output is mono. NUSofting Pals may also be used both to tu a
mono sound into stereo or to tu a stereo sound into mono.
wusik/sounds_list.php?more29
BUY NUSofting Pals Chorus VST 10$
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Nodal 1.6.0.695
Nodal 1.6.0.695
What is Nodal
Nodal is a generative software application for
composing music.
It uses a novel method for the notation and
playing of MIDI based music.
How does it work
This method is based around the concept of a
user defined graph. The graph consists of nodes
(musical events) and edges (connections between
events). You interactively define the graph,
which is then traversed by any number of voices.
These voices play the musical events as they
encounter them on the graph. The time taken to
travel from one node to another is based on the
length of the edges that connect the nodes. Nodal
allows you to create complex, changing sequences
using just a few simple elements. Its unique
visual representation shows a structural
representation for generative systems that you
can edit and interact with in real time as the
composition plays.
csse.monash.edu.au/~cema/nodal/
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What is Nodal
Nodal is a generative software application for
composing music.
It uses a novel method for the notation and
playing of MIDI based music.
How does it work
This method is based around the concept of a
user defined graph. The graph consists of nodes
(musical events) and edges (connections between
events). You interactively define the graph,
which is then traversed by any number of voices.
These voices play the musical events as they
encounter them on the graph. The time taken to
travel from one node to another is based on the
length of the edges that connect the nodes. Nodal
allows you to create complex, changing sequences
using just a few simple elements. Its unique
visual representation shows a structural
representation for generative systems that you
can edit and interact with in real time as the
composition plays.
csse.monash.edu.au/~cema/nodal/
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Novation FX Suite VST 1.0.2
Novation FX Suite VST 1.0.2
Novations Plug in FX suite provides five key effects from Novations
illustrious synth heritage, including signature effects derived from the
legendary SuperNova II. The five independent VST/AU plug ins include Chorus,
Delay, Tremelo, Phaser and the famously flexible, powerful filter featuring
overdrive. Each and every one of them offers a significant upgrade from
standard sequencer effects.
The Novation filter plug in is perhaps the most sought after effect of the
five. Modelled on the filter section of the Supeova II, this powerful
effect has an array of features and a unique sound that sets it apart from
any other filter on the market. An audio triggered envelope alongside five
different filter types, three different octave slopes and a "crunchy"
overdrive dial, allow this filter to deliver a wide variety of dynamic filter
modulation effects. Of all the filter types, the dual peak filter is rare in
this day and age, but capable of delivering that signature "WOW" sound a
key ingredient for mode dance remixes. The filter also features a "Q Norm"
dial, a resonance normaliser that reduces the signal level in relation to the
resonance level; ideal for mimicking classic filters like those found on Moog
and Oberheim synthesizers, or the Roland TB303.
The Novation Delay plug in is an enhanced version of the Supeova II delay
and an essential for any producers arsenal. The delay can of course be used
to bring an edge to guitars or to provide a slap back delay for vocals.
However, with the addition of a high and low pass in line filter, it can
also deliver funky dub style effects or a quasi tape echo. The various stereo
modes offer yet more creative flexibility.
The Tremolo has never been seen before as a dedicated Novation effect. It
is based on the panning section of the Supeova II. Depth and speed controls
sit alongside a new ?ePhase?f control that brings another dimension this
effect, helping to produce fully variable auto pan stereo spatial effects.
Finally, the Chorus and Phaser effects directly model the same effects
featured on the award winning, industry changing Novation K Station
synthesizer.
The Novation Plug in Suite brings quality digital signal processing to a
new level of affordability, placing sound sculpting flexibility and
professional solutions within reach of producers on even the tightest of
budgets.
novationmusic/products/software/novation_fx_suite
BUY Novation FX Suite VST 1.0.2 15$
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Novations Plug in FX suite provides five key effects from Novations
illustrious synth heritage, including signature effects derived from the
legendary SuperNova II. The five independent VST/AU plug ins include Chorus,
Delay, Tremelo, Phaser and the famously flexible, powerful filter featuring
overdrive. Each and every one of them offers a significant upgrade from
standard sequencer effects.
The Novation filter plug in is perhaps the most sought after effect of the
five. Modelled on the filter section of the Supeova II, this powerful
effect has an array of features and a unique sound that sets it apart from
any other filter on the market. An audio triggered envelope alongside five
different filter types, three different octave slopes and a "crunchy"
overdrive dial, allow this filter to deliver a wide variety of dynamic filter
modulation effects. Of all the filter types, the dual peak filter is rare in
this day and age, but capable of delivering that signature "WOW" sound a
key ingredient for mode dance remixes. The filter also features a "Q Norm"
dial, a resonance normaliser that reduces the signal level in relation to the
resonance level; ideal for mimicking classic filters like those found on Moog
and Oberheim synthesizers, or the Roland TB303.
The Novation Delay plug in is an enhanced version of the Supeova II delay
and an essential for any producers arsenal. The delay can of course be used
to bring an edge to guitars or to provide a slap back delay for vocals.
However, with the addition of a high and low pass in line filter, it can
also deliver funky dub style effects or a quasi tape echo. The various stereo
modes offer yet more creative flexibility.
The Tremolo has never been seen before as a dedicated Novation effect. It
is based on the panning section of the Supeova II. Depth and speed controls
sit alongside a new ?ePhase?f control that brings another dimension this
effect, helping to produce fully variable auto pan stereo spatial effects.
Finally, the Chorus and Phaser effects directly model the same effects
featured on the award winning, industry changing Novation K Station
synthesizer.
The Novation Plug in Suite brings quality digital signal processing to a
new level of affordability, placing sound sculpting flexibility and
professional solutions within reach of producers on even the tightest of
budgets.
novationmusic/products/software/novation_fx_suite
BUY Novation FX Suite VST 1.0.2 15$
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NuGen Audio NuGen Complete Master Edition VST 04 2010
NuGen Audio NuGen Complete Master Edition VST 04 2010
Visualizer 1.9.2
If you find your production work can be slow and difficult, imprecise or
arbitrary. Problems are difficult to track down and mixing can become a
strange balance of guesswork and intuition, then you need some better
tools.
SEQ 1 and SEQ 2 Master Edition 1.2.6
The NuGen Audio SEQ series, unlike many digital EQs, is linear phase.
This means that the phase shift is linear across the frequency spectrum,
resulting in a natural sounding EQ change, and producing minimal phase
artifacts.
Traditional EQ algorithms employ a mathematical technique known as IIR
(Infinite Impulse Response). Whilst this provides low CPU usage and is
relatively simple from a mathematical point of view, there is an important
side effect known as Phase Warping. Digital EQ utilising the classic the
IIR approach distorts the relationship between frequency and phase.
The computational algorithm employed in SEQ1 is based up on FFT (Fast
Fourier Transform Analysis). This is a much more involved process,
involving transformation of the audio data into the frequency domain,
before applying frequency related computations and then transforming back
into the temporal domain. The advantage of this process is that the
frequency and temporal relationship remains intact linear phase
transformation. The benefit of this method is that linear phase adjustments
sound clearer, it is possible to create a much more transparent EQ using
this technology. Phase Warping also affects the clarity of transients, as
it causes Phase Smearing. Linear Phase calculations avoid this limitation,
producing a sharper audio image.
Monofilter 3.2.10
Used and trusted by producers the world over, MONOFILTER grabs hold of
your bass and secures it solidly within your mix. Intuitive controls allow
you to quickly anchor the power, whilst retaining the essential character
and perceived spatial characteristics.
MONOFILTER brings back the centre of your bass, so easily lost through
stereo effects processing, synth sound generation, unwanted phase
inconsistencies and live recording mic. bleed. Our market leading features
now give you clear control over stereo spread, transition and phase
alignment, and the unique WYSIWYG interface gives you clear and exacting
visual feedback.
Stereoizer 3.1.2
Stereoizer is a high specification stereo image manipulation tool
suitable for natural expansion, reduction and introduction of stereo width
at any stage of the audio production process.
Developed for and tested by professional audio engineers, Stereoizer adds
natural sounding width and depth to any audio recording, mono or stereo,
leaving the inherent character of the original source intact. Quite simply
Stereoizer will make your audio more coherent, highly polished and
spatially balanced without adding artificial reverberation, chorusing or
delay.
Stereoplacer 2.4.3
Adjust the position of percussion sounds in a stereo loop, or add stereo
positioning to mono samples, placing frequencies exactly where you want
them. Stereoplacer gives you control that is simply not available within a
traditional mix setup.
Stereoplacer is a fine tune parametric EQ with the addition of stereo
positioning controls. This allows you to tune each band into specific
frequencies and move the frequency content around in the stereo sound
stage. You can also apply different amounts of cut and boost to the Left
and Right channels, or allow Stereoplacer to keep the balance of the
original sounds while you choose the position.
Also, we included :
Line up 2.2.4
Line up is a delay unit, specifically designed to allow rapid and simple
sample accurate delays to be set up with minimum CPU overhead and screen
imprint.
Delay time automatically steps through powers of two to allow rapid
dial in of frequently required numbers. Double click allows direct
numerical entry and holding down shift whilst click dragging steps through
in single samples.
Although primarily intended as a line up tool for misaligned tracks (no
host PDC, phase re alignment, long mic/speaker recording delay, etc.),
Line up can also be used as a send effect to create very precise chorus,
phase and doubling effects.
nugenaudio/
BUY NuGen Audio NuGen Complete Master Edition VST 04 2010 16$
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Visualizer 1.9.2
If you find your production work can be slow and difficult, imprecise or
arbitrary. Problems are difficult to track down and mixing can become a
strange balance of guesswork and intuition, then you need some better
tools.
SEQ 1 and SEQ 2 Master Edition 1.2.6
The NuGen Audio SEQ series, unlike many digital EQs, is linear phase.
This means that the phase shift is linear across the frequency spectrum,
resulting in a natural sounding EQ change, and producing minimal phase
artifacts.
Traditional EQ algorithms employ a mathematical technique known as IIR
(Infinite Impulse Response). Whilst this provides low CPU usage and is
relatively simple from a mathematical point of view, there is an important
side effect known as Phase Warping. Digital EQ utilising the classic the
IIR approach distorts the relationship between frequency and phase.
The computational algorithm employed in SEQ1 is based up on FFT (Fast
Fourier Transform Analysis). This is a much more involved process,
involving transformation of the audio data into the frequency domain,
before applying frequency related computations and then transforming back
into the temporal domain. The advantage of this process is that the
frequency and temporal relationship remains intact linear phase
transformation. The benefit of this method is that linear phase adjustments
sound clearer, it is possible to create a much more transparent EQ using
this technology. Phase Warping also affects the clarity of transients, as
it causes Phase Smearing. Linear Phase calculations avoid this limitation,
producing a sharper audio image.
Monofilter 3.2.10
Used and trusted by producers the world over, MONOFILTER grabs hold of
your bass and secures it solidly within your mix. Intuitive controls allow
you to quickly anchor the power, whilst retaining the essential character
and perceived spatial characteristics.
MONOFILTER brings back the centre of your bass, so easily lost through
stereo effects processing, synth sound generation, unwanted phase
inconsistencies and live recording mic. bleed. Our market leading features
now give you clear control over stereo spread, transition and phase
alignment, and the unique WYSIWYG interface gives you clear and exacting
visual feedback.
Stereoizer 3.1.2
Stereoizer is a high specification stereo image manipulation tool
suitable for natural expansion, reduction and introduction of stereo width
at any stage of the audio production process.
Developed for and tested by professional audio engineers, Stereoizer adds
natural sounding width and depth to any audio recording, mono or stereo,
leaving the inherent character of the original source intact. Quite simply
Stereoizer will make your audio more coherent, highly polished and
spatially balanced without adding artificial reverberation, chorusing or
delay.
Stereoplacer 2.4.3
Adjust the position of percussion sounds in a stereo loop, or add stereo
positioning to mono samples, placing frequencies exactly where you want
them. Stereoplacer gives you control that is simply not available within a
traditional mix setup.
Stereoplacer is a fine tune parametric EQ with the addition of stereo
positioning controls. This allows you to tune each band into specific
frequencies and move the frequency content around in the stereo sound
stage. You can also apply different amounts of cut and boost to the Left
and Right channels, or allow Stereoplacer to keep the balance of the
original sounds while you choose the position.
Also, we included :
Line up 2.2.4
Line up is a delay unit, specifically designed to allow rapid and simple
sample accurate delays to be set up with minimum CPU overhead and screen
imprint.
Delay time automatically steps through powers of two to allow rapid
dial in of frequently required numbers. Double click allows direct
numerical entry and holding down shift whilst click dragging steps through
in single samples.
Although primarily intended as a line up tool for misaligned tracks (no
host PDC, phase re alignment, long mic/speaker recording delay, etc.),
Line up can also be used as a send effect to create very precise chorus,
phase and doubling effects.
nugenaudio/
BUY NuGen Audio NuGen Complete Master Edition VST 04 2010 16$
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NueSoft NueSampleConverter 1.0.0.20
NueSoft NueSampleConverter 1.0.0.20
geocities.jp/nue_soft/Soft_NueSampleConverter
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Ots Labs OtsAV DJ 1.85.074
Ots Labs OtsAV DJ 1.85.074
OtsAV is a PC based professional digital media playout system for the
Windows platform used by DJs, broadcasters, venues music or video solution
providers. OtsAV is the premier DJ software, with first class automation and
full manual control, in popular use since 1999.
otslabs/products/
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OtsAV is a PC based professional digital media playout system for the
Windows platform used by DJs, broadcasters, venues music or video solution
providers. OtsAV is the premier DJ software, with first class automation and
full manual control, in popular use since 1999.
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Ots Labs OtsAV Radio 1.85.074
Ots Labs OtsAV Radio 1.85.074
OtsAV is a PC based professional digital media playout system for the
Windows platform used by DJs, broadcasters, venues music or video solution
providers. OtsAV is the premier DJ software, with first class automation and
full manual control, in popular use since 1999.
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OtsAV is a PC based professional digital media playout system for the
Windows platform used by DJs, broadcasters, venues music or video solution
providers. OtsAV is the premier DJ software, with first class automation and
full manual control, in popular use since 1999.
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Ots Labs OtsAV TV 1.85.074
Ots Labs OtsAV TV 1.85.074
OtsAV is a PC based professional digital media playout system for the
Windows platform used by DJs, broadcasters, venues music or video solution
providers. OtsAV is the premier DJ software, with first class automation and
full manual control, in popular use since 1999.
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OtsAV is a PC based professional digital media playout system for the
Windows platform used by DJs, broadcasters, venues music or video solution
providers. OtsAV is the premier DJ software, with first class automation and
full manual control, in popular use since 1999.
otslabs/products/
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PSPaudioware Xenon AU VST RTAS 1.1.9 MAC OSX UB
PSPaudioware Xenon AU VST RTAS 1.1.9 MAC OSX UB
PSP Xenon is a full band, dual stage limiter plug in (AudioUnit, VST and
RTAS for MacOSX UniversalBinary; VST and RTAS for PC) featuring an integrated
Leveller, advanced K System metering and psychoacoustically optimized
wordlength reduction. PSP Xenon offers 64 bit precision processing throughout
its entire signal path, and can operate at sample rates up to 192kHz.
Once you experience for yourself the pristine, transparent response and
intuitive design of this plug in, we believe it will become your "go to"
limiter for mastering and other critical audio applications.
pspaudioware/plugins/dynamic_processors/psp_xenon/index
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PSP Xenon is a full band, dual stage limiter plug in (AudioUnit, VST and
RTAS for MacOSX UniversalBinary; VST and RTAS for PC) featuring an integrated
Leveller, advanced K System metering and psychoacoustically optimized
wordlength reduction. PSP Xenon offers 64 bit precision processing throughout
its entire signal path, and can operate at sample rates up to 192kHz.
Once you experience for yourself the pristine, transparent response and
intuitive design of this plug in, we believe it will become your "go to"
limiter for mastering and other critical audio applications.
pspaudioware/plugins/dynamic_processors/psp_xenon/index
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PSPaudioware Xenon VST RTAS 1.1.9
PSPaudioware Xenon VST RTAS 1.1.9
PSP Xenon is a full band, dual stage limiter plug in (AudioUnit, VST and
RTAS for MacOSX UniversalBinary; VST and RTAS for PC) featuring an integrated
Leveller, advanced K System metering and psychoacoustically optimized
wordlength reduction. PSP Xenon offers 64 bit precision processing throughout
its entire signal path, and can operate at sample rates up to 192kHz.
Once you experience for yourself the pristine, transparent response and
intuitive design of this plug in, we believe it will become your "go to"
limiter for mastering and other critical audio applications.
pspaudioware/plugins/dynamic_processors/psp_xenon/index
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PSP Xenon is a full band, dual stage limiter plug in (AudioUnit, VST and
RTAS for MacOSX UniversalBinary; VST and RTAS for PC) featuring an integrated
Leveller, advanced K System metering and psychoacoustically optimized
wordlength reduction. PSP Xenon offers 64 bit precision processing throughout
its entire signal path, and can operate at sample rates up to 192kHz.
Once you experience for yourself the pristine, transparent response and
intuitive design of this plug in, we believe it will become your "go to"
limiter for mastering and other critical audio applications.
pspaudioware/plugins/dynamic_processors/psp_xenon/index
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2010/05/30
Puremagnetik Bodhisphere for Kontakt
Puremagnetik Bodhisphere for Kontakt
Bodhisphereis a unique collection of twisted textures, warped soundscapes
and mangled mayhem inspired by FM3s celebrated Buddha Machine . Complete
with 5 menus of high quality 24 bit audio, Bodhisphere joins Puremagnetiks
"spheres" collection as a lush resource for sound designers, film composers
or anyone looking to get their hands on some seriously tricked out audio!
The following is a list of boutique gear and processors used in the
production of Bodhisphere.
Co Pilot FX Mantis ii
Co Pilot FX Antenna
Dwarfcraft Devices Shiva
Symbolic Sound KYMA X
Tech 21 Bass Sans Amp
Line 6 X Pod Live
Effector 13 Truly Beautiful Disaster
Moog MURF
Malekko Spring Chicken
Blckout Effectors Fixed Fuzz
Ensoniq DP4
Bodhisphere Features:
5 menus of complex, evolving soundscapes
Over 70 unique multisamples
Organized sound sets of "Biomental", "Environmental", "Machineroom" and
"Industrial"
Tightly integrated, native "Live Ready" effects Macro controls
Custom Kontakt KSP GUI and native Kontakt effects
puremagnetik/?optioncom_content
viewarticle280:bodhispherecatid36Itemid161
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Bodhisphereis a unique collection of twisted textures, warped soundscapes
and mangled mayhem inspired by FM3s celebrated Buddha Machine . Complete
with 5 menus of high quality 24 bit audio, Bodhisphere joins Puremagnetiks
"spheres" collection as a lush resource for sound designers, film composers
or anyone looking to get their hands on some seriously tricked out audio!
The following is a list of boutique gear and processors used in the
production of Bodhisphere.
Co Pilot FX Mantis ii
Co Pilot FX Antenna
Dwarfcraft Devices Shiva
Symbolic Sound KYMA X
Tech 21 Bass Sans Amp
Line 6 X Pod Live
Effector 13 Truly Beautiful Disaster
Moog MURF
Malekko Spring Chicken
Blckout Effectors Fixed Fuzz
Ensoniq DP4
Bodhisphere Features:
5 menus of complex, evolving soundscapes
Over 70 unique multisamples
Organized sound sets of "Biomental", "Environmental", "Machineroom" and
"Industrial"
Tightly integrated, native "Live Ready" effects Macro controls
Custom Kontakt KSP GUI and native Kontakt effects
puremagnetik/?optioncom_content
viewarticle280:bodhispherecatid36Itemid161
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Puremagnetik Bodhisphere for Live
Puremagnetik Bodhisphere for Live
Bodhisphereis a unique collection of twisted textures, warped soundscapes
and mangled mayhem inspired by FM3s celebrated Buddha Machine . Complete
with 5 menus of high quality 24 bit audio, Bodhisphere joins Puremagnetiks
"spheres" collection as a lush resource for sound designers, film composers
or anyone looking to get their hands on some seriously tricked out audio!
The following is a list of boutique gear and processors used in the
production of Bodhisphere.
Co Pilot FX Mantis ii
Co Pilot FX Antenna
Dwarfcraft Devices Shiva
Symbolic Sound KYMA X
Tech 21 Bass Sans Amp
Line 6 X Pod Live
Effector 13 Truly Beautiful Disaster
Moog MURF
Malekko Spring Chicken
Blckout Effectors Fixed Fuzz
Ensoniq DP4
Bodhisphere Features:
5 menus of complex, evolving soundscapes
Over 70 unique multisamples
Organized sound sets of "Biomental", "Environmental", "Machineroom" and
"Industrial"
Tightly integrated, native "Live Ready" effects Macro controls
Custom Kontakt KSP GUI and native Kontakt effects
puremagnetik/?optioncom_content
viewarticle280:bodhispherecatid36Itemid161
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Bodhisphereis a unique collection of twisted textures, warped soundscapes
and mangled mayhem inspired by FM3s celebrated Buddha Machine . Complete
with 5 menus of high quality 24 bit audio, Bodhisphere joins Puremagnetiks
"spheres" collection as a lush resource for sound designers, film composers
or anyone looking to get their hands on some seriously tricked out audio!
The following is a list of boutique gear and processors used in the
production of Bodhisphere.
Co Pilot FX Mantis ii
Co Pilot FX Antenna
Dwarfcraft Devices Shiva
Symbolic Sound KYMA X
Tech 21 Bass Sans Amp
Line 6 X Pod Live
Effector 13 Truly Beautiful Disaster
Moog MURF
Malekko Spring Chicken
Blckout Effectors Fixed Fuzz
Ensoniq DP4
Bodhisphere Features:
5 menus of complex, evolving soundscapes
Over 70 unique multisamples
Organized sound sets of "Biomental", "Environmental", "Machineroom" and
"Industrial"
Tightly integrated, native "Live Ready" effects Macro controls
Custom Kontakt KSP GUI and native Kontakt effects
puremagnetik/?optioncom_content
viewarticle280:bodhispherecatid36Itemid161
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Puremagnetik Bodhisphere for Logic
Puremagnetik Bodhisphere for Logic
Bodhisphereis a unique collection of twisted textures, warped soundscapes
and mangled mayhem inspired by FM3s celebrated Buddha Machine . Complete
with 5 menus of high quality 24 bit audio, Bodhisphere joins Puremagnetiks
"spheres" collection as a lush resource for sound designers, film composers
or anyone looking to get their hands on some seriously tricked out audio!
The following is a list of boutique gear and processors used in the
production of Bodhisphere.
Co Pilot FX Mantis ii
Co Pilot FX Antenna
Dwarfcraft Devices Shiva
Symbolic Sound KYMA X
Tech 21 Bass Sans Amp
Line 6 X Pod Live
Effector 13 Truly Beautiful Disaster
Moog MURF
Malekko Spring Chicken
Blckout Effectors Fixed Fuzz
Ensoniq DP4
Bodhisphere Features:
5 menus of complex, evolving soundscapes
Over 70 unique multisamples
Organized sound sets of "Biomental", "Environmental", "Machineroom" and
"Industrial"
Tightly integrated, native "Live Ready" effects Macro controls
Custom Kontakt KSP GUI and native Kontakt effects
puremagnetik/?optioncom_content
viewarticle280:bodhispherecatid36Itemid161
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Bodhisphereis a unique collection of twisted textures, warped soundscapes
and mangled mayhem inspired by FM3s celebrated Buddha Machine . Complete
with 5 menus of high quality 24 bit audio, Bodhisphere joins Puremagnetiks
"spheres" collection as a lush resource for sound designers, film composers
or anyone looking to get their hands on some seriously tricked out audio!
The following is a list of boutique gear and processors used in the
production of Bodhisphere.
Co Pilot FX Mantis ii
Co Pilot FX Antenna
Dwarfcraft Devices Shiva
Symbolic Sound KYMA X
Tech 21 Bass Sans Amp
Line 6 X Pod Live
Effector 13 Truly Beautiful Disaster
Moog MURF
Malekko Spring Chicken
Blckout Effectors Fixed Fuzz
Ensoniq DP4
Bodhisphere Features:
5 menus of complex, evolving soundscapes
Over 70 unique multisamples
Organized sound sets of "Biomental", "Environmental", "Machineroom" and
"Industrial"
Tightly integrated, native "Live Ready" effects Macro controls
Custom Kontakt KSP GUI and native Kontakt effects
puremagnetik/?optioncom_content
viewarticle280:bodhispherecatid36Itemid161
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Puremagnetik JUICE for FM8 and Operator
Puremagnetik JUICE for FM8 and Operator
Puremagnetik is a new sound content subscription service.
Each month new "micropacks" are released.
Attention FM synth enthusiasts!
Your synth is thirsty and JUICE is finally here! Included
in this micropack are 120 amazing new sounds for Abletons
Operator and Native Instruments FM8.
From crunchy beats like "Noiseground" to super phat leads
like "Dirty Charlie" JUICE is a comprehensive add on pack
that your synth is begging for.
JUICE utilizes all of Abletons new macro tweakability and
FM8s amazing morph functions.
You better take the afteoon off if you wanna get on these
suckas!
Format: ALP, KSD
System Requirements: Ableton Operator and/or Native
Instruments FM8
JUICE Includes:
60 New Programs for Abletons Operator
60 New Programs for Native Instruments FM8
Fully Integrated Macro Controls for Ableton Live 6 Racks
Expressive Effects and Morphing for FM8
Comprehensive Palette of Lead, Rhythm, Synth, Pad Keyboard
Sounds
120 rich and expressive new presets total for these pioneering
synthesizers
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Puremagnetik is a new sound content subscription service.
Each month new "micropacks" are released.
Attention FM synth enthusiasts!
Your synth is thirsty and JUICE is finally here! Included
in this micropack are 120 amazing new sounds for Abletons
Operator and Native Instruments FM8.
From crunchy beats like "Noiseground" to super phat leads
like "Dirty Charlie" JUICE is a comprehensive add on pack
that your synth is begging for.
JUICE utilizes all of Abletons new macro tweakability and
FM8s amazing morph functions.
You better take the afteoon off if you wanna get on these
suckas!
Format: ALP, KSD
System Requirements: Ableton Operator and/or Native
Instruments FM8
JUICE Includes:
60 New Programs for Abletons Operator
60 New Programs for Native Instruments FM8
Fully Integrated Macro Controls for Ableton Live 6 Racks
Expressive Effects and Morphing for FM8
Comprehensive Palette of Lead, Rhythm, Synth, Pad Keyboard
Sounds
120 rich and expressive new presets total for these pioneering
synthesizers
puremagnetik
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Q Trilogy Vol.1 Soundset for MicroQ and Komplexer
Q Trilogy Vol.1 Soundset for MicroQ and Komplexer
The volume 1 set with the first 100 of 300 sounds for the Waldorf
Q series: Q+, Q, MicroQ, and Komplexer.
This first set of the Q Trilogy has everything you need for
your Techno/Trance productions:
Basses, leads, pads, arpeggios all the sounds you need most in
daily studio life. The basses and leadsounds are espacially
outstanding. (Some killer basses have that much punch, that you
often have to decrease the bass amount with your EQ instead
of increasing it.
This soundset is fully compatible to the MicroQ/Komplexer.
But some patches may sound a little different, because the
MicroQ/Komplexer has a different architecture than the "big" Q.
FACTS:
100 Techno/Trance sounds, programmed by Manuel Schleis
the basis set for every club prooved production
modwheel assignment for every sound
awesome, punchy basses and leadsounds
no brass/piano/flute sounds
very unique sounds, which you can hear out of
hundreds of productions
thats the way the Q must sound, to make your club hit!
Vengeance Musics Q Trilogy Vol.1 Soundset Key Features:
100 "usable" sounds for dance production
Hardware Synths Supported:
Waldorf Q series (Q+, Q, MicroQ)
.MID standard MIDI format
Software Synths "fully" supported via import:
TerraTec Komplexer
.FXB converted format
Soundbank Listing: Q Trilogy Vol.1 Soundset
Waldorf MicroQ Series:
Q Trilogy Volume 1 Q Soundset by Manuel Schleis.mid
TerraTec Komplexer (converted)
A Q Trilogy Volume 1 MicroQ Soundset by Manuel Schleis.fxb
B Q Trilogy Volume 1 MicroQ Soundset by Manuel Schleis.fxb
C Q Trilogy Volume 1 MicroQ Soundset by Manuel Schleis.fxb
Complete list of patches:
No: Patch: Category:
1 Powerpeggio Arpeggio
2 Space Opera Lead Sound
3 1 Fat Picks Lead Sound
4 Phat Phasor Lead Sound
5 StarClav Lead Sound
6 SchmatzBass Bass
7 High Energy Lead Sound
8 You Lead Sound
9 You II Lead Sound
10 PulseBass Bass
11 Cosmic Dream Pad
12 Dreiklang Lead Sound
13 Dreiklang 2 Lead Sound
14 Dreiklang 3 Lead Sound
15 Arp Trap Lead Sound
16 Kraftbass Bass
17 Trancecore 1 Lead Sound
18 Trancecore 2 Lead Sound
19 Sunsonique Lead Sound
20 Ice Bass Bass
21 Frequency Lead Sound
22 Rave Stack Lead Sound
23 Moing Sun Lead Sound
24 Moing Sun 2 Lead Sound
25 Moerderbass Bass
26 Pulsewidth Lead Sound
27 Pulsewidth 2 Lead Sound
28 Matrix Pad
29 BackPad Pad
30 Vintage Pad
31 Vintage 2 Pad
32 Vintage 3 Pad
33 Sidplay Lead Sound
34 Sidplay 2 Lead Sound
35 Cool 3Q3 Bass
36 Cool 3Q3 2 Bass
37 Cool 3Q3 3 Bass
38 Dirty Lead Lead Sound
39 Above UKBass 1 Bass
40 Above UKBass 2 Bass
41 Above UKBass 3 Bass
42 Fuzz Lead Lead Sound
43 Fuzz Blip Lead Sound
44 Badbass Bass
45 Tiny Tom Lead Sound
46 Darkstar Bass
47 Randomizer Arpeggio
48 Nice Seq Arpeggio
49 No1 DanceLead Lead Sound
50 No1 DanceLead 2 Lead Sound
51 Pulsatic Pad
52 Golem Lead Sound
53 Multibass Bass
54 Three o Three Bass
55 Sunshine! Lead Sound
56 Kirmes Lead 1 Lead Sound
57 Kirmes Lead 2 Lead Sound
58 Kirmes Lead 3 Lead Sound
59 Insanity Lead Sound
60 DJs Vinyl FX FX
61 Spoiler Noize Lead Sound
62 Mellow B Line Arpeggio
63 Silverpad Pad
64 UK Pikes Q Lead Sound
65 UK MuteGuitar Lead Sound
66 Peach Pad Pad
67 Abyss Lead Sound
68 Dragonride 1 Lead Sound
69 Dragonride 2 Lead Sound
70 Drone Lead Sound
71 Mellow Pizz 1 Lead Sound
72 Mellow Pizz 2 Lead Sound
73 Mellow Pizz 3 Lead Sound
74 Doom Musicbox Lead Sound
75 Terrorphone Lead Sound
76 Trance Acid Bass
77 Trance Acid 2 Bass
78 Central Brass Bass
79 Wao Wao 1 Lead Sound
80 Wao Wao 2 Lead Sound
81 Wao Wao 3 Lead Sound
82 Secret Brass Lead Sound
83 Tek Bass 1 Bass
84 Tek Bass 2 Bass
85 Tek Bass 3 Bass
86 Wechselbass 1 Bass
87 Wechselbass 2 Bass
88 Wechselbass 3 Bass
89 Wechselbass 4 Bass
90 Shape Bass Bass
91 Schranzer Bass
92 No HP Bass 1 Bass
93 No HP Bass 2 Bass
94 Hardstyle!!! Lead Sound
95 Bellaphone Lead Sound
96 Sine Tips Lead Sound
97 Bassschub Bass
98 Golden Hoover Lead Sound
99 Dirty Stacks Lead Sound
100 Just One Osc Lead Sound
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The volume 1 set with the first 100 of 300 sounds for the Waldorf
Q series: Q+, Q, MicroQ, and Komplexer.
This first set of the Q Trilogy has everything you need for
your Techno/Trance productions:
Basses, leads, pads, arpeggios all the sounds you need most in
daily studio life. The basses and leadsounds are espacially
outstanding. (Some killer basses have that much punch, that you
often have to decrease the bass amount with your EQ instead
of increasing it.
This soundset is fully compatible to the MicroQ/Komplexer.
But some patches may sound a little different, because the
MicroQ/Komplexer has a different architecture than the "big" Q.
FACTS:
100 Techno/Trance sounds, programmed by Manuel Schleis
the basis set for every club prooved production
modwheel assignment for every sound
awesome, punchy basses and leadsounds
no brass/piano/flute sounds
very unique sounds, which you can hear out of
hundreds of productions
thats the way the Q must sound, to make your club hit!
Vengeance Musics Q Trilogy Vol.1 Soundset Key Features:
100 "usable" sounds for dance production
Hardware Synths Supported:
Waldorf Q series (Q+, Q, MicroQ)
.MID standard MIDI format
Software Synths "fully" supported via import:
TerraTec Komplexer
.FXB converted format
Soundbank Listing: Q Trilogy Vol.1 Soundset
Waldorf MicroQ Series:
Q Trilogy Volume 1 Q Soundset by Manuel Schleis.mid
TerraTec Komplexer (converted)
A Q Trilogy Volume 1 MicroQ Soundset by Manuel Schleis.fxb
B Q Trilogy Volume 1 MicroQ Soundset by Manuel Schleis.fxb
C Q Trilogy Volume 1 MicroQ Soundset by Manuel Schleis.fxb
Complete list of patches:
No: Patch: Category:
1 Powerpeggio Arpeggio
2 Space Opera Lead Sound
3 1 Fat Picks Lead Sound
4 Phat Phasor Lead Sound
5 StarClav Lead Sound
6 SchmatzBass Bass
7 High Energy Lead Sound
8 You Lead Sound
9 You II Lead Sound
10 PulseBass Bass
11 Cosmic Dream Pad
12 Dreiklang Lead Sound
13 Dreiklang 2 Lead Sound
14 Dreiklang 3 Lead Sound
15 Arp Trap Lead Sound
16 Kraftbass Bass
17 Trancecore 1 Lead Sound
18 Trancecore 2 Lead Sound
19 Sunsonique Lead Sound
20 Ice Bass Bass
21 Frequency Lead Sound
22 Rave Stack Lead Sound
23 Moing Sun Lead Sound
24 Moing Sun 2 Lead Sound
25 Moerderbass Bass
26 Pulsewidth Lead Sound
27 Pulsewidth 2 Lead Sound
28 Matrix Pad
29 BackPad Pad
30 Vintage Pad
31 Vintage 2 Pad
32 Vintage 3 Pad
33 Sidplay Lead Sound
34 Sidplay 2 Lead Sound
35 Cool 3Q3 Bass
36 Cool 3Q3 2 Bass
37 Cool 3Q3 3 Bass
38 Dirty Lead Lead Sound
39 Above UKBass 1 Bass
40 Above UKBass 2 Bass
41 Above UKBass 3 Bass
42 Fuzz Lead Lead Sound
43 Fuzz Blip Lead Sound
44 Badbass Bass
45 Tiny Tom Lead Sound
46 Darkstar Bass
47 Randomizer Arpeggio
48 Nice Seq Arpeggio
49 No1 DanceLead Lead Sound
50 No1 DanceLead 2 Lead Sound
51 Pulsatic Pad
52 Golem Lead Sound
53 Multibass Bass
54 Three o Three Bass
55 Sunshine! Lead Sound
56 Kirmes Lead 1 Lead Sound
57 Kirmes Lead 2 Lead Sound
58 Kirmes Lead 3 Lead Sound
59 Insanity Lead Sound
60 DJs Vinyl FX FX
61 Spoiler Noize Lead Sound
62 Mellow B Line Arpeggio
63 Silverpad Pad
64 UK Pikes Q Lead Sound
65 UK MuteGuitar Lead Sound
66 Peach Pad Pad
67 Abyss Lead Sound
68 Dragonride 1 Lead Sound
69 Dragonride 2 Lead Sound
70 Drone Lead Sound
71 Mellow Pizz 1 Lead Sound
72 Mellow Pizz 2 Lead Sound
73 Mellow Pizz 3 Lead Sound
74 Doom Musicbox Lead Sound
75 Terrorphone Lead Sound
76 Trance Acid Bass
77 Trance Acid 2 Bass
78 Central Brass Bass
79 Wao Wao 1 Lead Sound
80 Wao Wao 2 Lead Sound
81 Wao Wao 3 Lead Sound
82 Secret Brass Lead Sound
83 Tek Bass 1 Bass
84 Tek Bass 2 Bass
85 Tek Bass 3 Bass
86 Wechselbass 1 Bass
87 Wechselbass 2 Bass
88 Wechselbass 3 Bass
89 Wechselbass 4 Bass
90 Shape Bass Bass
91 Schranzer Bass
92 No HP Bass 1 Bass
93 No HP Bass 2 Bass
94 Hardstyle!!! Lead Sound
95 Bellaphone Lead Sound
96 Sine Tips Lead Sound
97 Bassschub Bass
98 Golden Hoover Lead Sound
99 Dirty Stacks Lead Sound
100 Just One Osc Lead Sound
vengeance music.de/Virus2/eng/DetailsQ
BUY Q Trilogy Vol.1 Soundset for MicroQ and Komplexer 10$
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QuikQuak BarChimes 1.01
QuikQuak BarChimes 1.01
Bar Chimes are percussion instruments that are used in a wide range of
musical styles, producing that twinkling or sparkling sound often used by
percussionists.
They consist of a row of tuned solid metal bars that hang on strings from a
wooden beam. When moved, usually with a sweeping action, the bars will swing
and collide in a chaotic manner, creating that recognisable shimmering sound
from all the random collisions and interactions.
The BarChimes plug in physically emulates a set of bar chimes, using
complex kinematic physics routines. Great care has gone into translating the
physics of gravity, friction, and weight of the bars, including their
appearance. The sounds of the bar interactions are created using editable
partials and length frequencies, including percussive hits, decay elements,
and spectral alterations.
quikquak/Prod_BarChimes
BUY QuikQuak BarChimes 1.01 10$
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Bar Chimes are percussion instruments that are used in a wide range of
musical styles, producing that twinkling or sparkling sound often used by
percussionists.
They consist of a row of tuned solid metal bars that hang on strings from a
wooden beam. When moved, usually with a sweeping action, the bars will swing
and collide in a chaotic manner, creating that recognisable shimmering sound
from all the random collisions and interactions.
The BarChimes plug in physically emulates a set of bar chimes, using
complex kinematic physics routines. Great care has gone into translating the
physics of gravity, friction, and weight of the bars, including their
appearance. The sounds of the bar interactions are created using editable
partials and length frequencies, including percussive hits, decay elements,
and spectral alterations.
quikquak/Prod_BarChimes
BUY QuikQuak BarChimes 1.01 10$
TAGS buy QuikQuak BarChimes 1.01, cheap QuikQuak BarChimes 1.01, oem QuikQuak BarChimes 1.01
QuikQuak BarChimes 1.01 for Mac
QuikQuak BarChimes 1.01 for Mac
Bar Chimes are percussion instruments that are used in a wide range of
musical styles, producing that twinkling or sparkling sound often used by
percussionists.
They consist of a row of tuned solid metal bars that hang on strings from a
wooden beam. When moved, usually with a sweeping action, the bars will swing
and collide in a chaotic manner, creating that recognisable shimmering sound
from all the random collisions and interactions.
The BarChimes plug in physically emulates a set of bar chimes, using
complex kinematic physics routines. Great care has gone into translating the
physics of gravity, friction, and weight of the bars, including their
appearance. The sounds of the bar interactions are created using editable
partials and length frequencies, including percussive hits, decay elements,
and spectral alterations.
quikquak/Prod_BarChimes
BUY QuikQuak BarChimes 1.01 for Mac 10$
TAGS oem QuikQuak BarChimes 1.01 for Mac, order QuikQuak BarChimes 1.01 for Mac, oem QuikQuak BarChimes 1.01 for Mac
Bar Chimes are percussion instruments that are used in a wide range of
musical styles, producing that twinkling or sparkling sound often used by
percussionists.
They consist of a row of tuned solid metal bars that hang on strings from a
wooden beam. When moved, usually with a sweeping action, the bars will swing
and collide in a chaotic manner, creating that recognisable shimmering sound
from all the random collisions and interactions.
The BarChimes plug in physically emulates a set of bar chimes, using
complex kinematic physics routines. Great care has gone into translating the
physics of gravity, friction, and weight of the bars, including their
appearance. The sounds of the bar interactions are created using editable
partials and length frequencies, including percussive hits, decay elements,
and spectral alterations.
quikquak/Prod_BarChimes
BUY QuikQuak BarChimes 1.01 for Mac 10$
TAGS oem QuikQuak BarChimes 1.01 for Mac, order QuikQuak BarChimes 1.01 for Mac, oem QuikQuak BarChimes 1.01 for Mac
QuikQuak BarChimes VSTi 1.01
QuikQuak BarChimes VSTi 1.01
Bar Chimes are percussion instruments that are used in a wide range of
musical styles, producing that twinkling or sparkling sound often used by
percussionists.
They consist of a row of tuned solid metal bars that hang on strings from a
wooden beam. When moved, usually with a sweeping action, the bars will swing
and collide in a chaotic manner, creating that recognisable shimmering sound
from all the random collisions and interactions.
The BarChimes plug in physically emulates a set of bar chimes, using
complex kinematic physics routines. Great care has gone into translating the
physics of gravity, friction, and weight of the bars, including their
appearance. The sounds of the bar interactions are created using editable
partials and length frequencies, including percussive hits, decay elements,
and spectral alterations.
quikquak/Prod_BarChimes
BUY QuikQuak BarChimes VSTi 1.01 10$
TAGS buy QuikQuak BarChimes VSTi 1.01, low price QuikQuak BarChimes VSTi 1.01, download QuikQuak BarChimes VSTi 1.01
Bar Chimes are percussion instruments that are used in a wide range of
musical styles, producing that twinkling or sparkling sound often used by
percussionists.
They consist of a row of tuned solid metal bars that hang on strings from a
wooden beam. When moved, usually with a sweeping action, the bars will swing
and collide in a chaotic manner, creating that recognisable shimmering sound
from all the random collisions and interactions.
The BarChimes plug in physically emulates a set of bar chimes, using
complex kinematic physics routines. Great care has gone into translating the
physics of gravity, friction, and weight of the bars, including their
appearance. The sounds of the bar interactions are created using editable
partials and length frequencies, including percussive hits, decay elements,
and spectral alterations.
quikquak/Prod_BarChimes
BUY QuikQuak BarChimes VSTi 1.01 10$
TAGS buy QuikQuak BarChimes VSTi 1.01, low price QuikQuak BarChimes VSTi 1.01, download QuikQuak BarChimes VSTi 1.01
QuikQuak Crowd Chamber 2.0b
QuikQuak Crowd Chamber 2.0b
Crowd Chamber is an audio plug in that layers multiple variations of a
signal to create a crowd simulation. From simple chorusing effects, small
crowds and stadiums, on to impossible situations and effects. When each voice
is mixed, it is altered in varying time and spectral content, making unique
versions of itself to create the illusion of different sources. With the
additional spread function it can stretch out a single voice, which gives
additional depth and complexity to the result. Once the concept had been
created it became clear that Crowd Chamber could create far more than simple
crowd scenes. Because of the feedback, wave cancellations, and simply the
thousands of layers make it the perfect tool for creating strange and twisted
effects. Crowd Chamber also follows QuikQuaks other plug ins with a visual,
hands on approach. There is also a fast randomisation feature for rapid crowd
creation.
quikquak/Prod_CrowdChamber
BUY QuikQuak Crowd Chamber 2.0b 10$
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Crowd Chamber is an audio plug in that layers multiple variations of a
signal to create a crowd simulation. From simple chorusing effects, small
crowds and stadiums, on to impossible situations and effects. When each voice
is mixed, it is altered in varying time and spectral content, making unique
versions of itself to create the illusion of different sources. With the
additional spread function it can stretch out a single voice, which gives
additional depth and complexity to the result. Once the concept had been
created it became clear that Crowd Chamber could create far more than simple
crowd scenes. Because of the feedback, wave cancellations, and simply the
thousands of layers make it the perfect tool for creating strange and twisted
effects. Crowd Chamber also follows QuikQuaks other plug ins with a visual,
hands on approach. There is also a fast randomisation feature for rapid crowd
creation.
quikquak/Prod_CrowdChamber
BUY QuikQuak Crowd Chamber 2.0b 10$
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QuikQuak Crowd Chamber 2.0b for Mac
QuikQuak Crowd Chamber 2.0b for Mac
Crowd Chamber is an audio plug in that layers multiple variations of a
signal to create a crowd simulation. From simple chorusing effects, small
crowds and stadiums, on to impossible situations and effects. When each voice
is mixed, it is altered in varying time and spectral content, making unique
versions of itself to create the illusion of different sources. With the
additional spread function it can stretch out a single voice, which gives
additional depth and complexity to the result. Once the concept had been
created it became clear that Crowd Chamber could create far more than simple
crowd scenes. Because of the feedback, wave cancellations, and simply the
thousands of layers make it the perfect tool for creating strange and twisted
effects. Crowd Chamber also follows QuikQuaks other plug ins with a visual,
hands on approach. There is also a fast randomisation feature for rapid crowd
creation.
quikquak/Prod_CrowdChamber
1~
BUY QuikQuak Crowd Chamber 2.0b for Mac 10$
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Crowd Chamber is an audio plug in that layers multiple variations of a
signal to create a crowd simulation. From simple chorusing effects, small
crowds and stadiums, on to impossible situations and effects. When each voice
is mixed, it is altered in varying time and spectral content, making unique
versions of itself to create the illusion of different sources. With the
additional spread function it can stretch out a single voice, which gives
additional depth and complexity to the result. Once the concept had been
created it became clear that Crowd Chamber could create far more than simple
crowd scenes. Because of the feedback, wave cancellations, and simply the
thousands of layers make it the perfect tool for creating strange and twisted
effects. Crowd Chamber also follows QuikQuaks other plug ins with a visual,
hands on approach. There is also a fast randomisation feature for rapid crowd
creation.
quikquak/Prod_CrowdChamber
1~
BUY QuikQuak Crowd Chamber 2.0b for Mac 10$
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QuikQuak Crowd Chamber VST 2.00b
QuikQuak Crowd Chamber VST 2.00b
Crowd Chamber is an audio plug in that layers multiple variations of a
signal to create a crowd simulation. From simple chorusing effects, small
crowds and stadiums, on to impossible situations and effects. When each voice
is mixed, it is altered in varying time and spectral content, making unique
versions of itself to create the illusion of different sources. With the
additional spread function it can stretch out a single voice, which gives
additional depth and complexity to the result. Once the concept had been
created it became clear that Crowd Chamber could create far more than simple
crowd scenes. Because of the feedback, wave cancellations, and simply the
thousands of layers make it the perfect tool for creating strange and twisted
effects. Crowd Chamber also follows QuikQuaks other plug ins with a visual,
hands on approach. There is also a fast randomisation feature for rapid crowd
creation.
quikquak/Prod_CrowdChamber
BUY QuikQuak Crowd Chamber VST 2.00b 10$
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Crowd Chamber is an audio plug in that layers multiple variations of a
signal to create a crowd simulation. From simple chorusing effects, small
crowds and stadiums, on to impossible situations and effects. When each voice
is mixed, it is altered in varying time and spectral content, making unique
versions of itself to create the illusion of different sources. With the
additional spread function it can stretch out a single voice, which gives
additional depth and complexity to the result. Once the concept had been
created it became clear that Crowd Chamber could create far more than simple
crowd scenes. Because of the feedback, wave cancellations, and simply the
thousands of layers make it the perfect tool for creating strange and twisted
effects. Crowd Chamber also follows QuikQuaks other plug ins with a visual,
hands on approach. There is also a fast randomisation feature for rapid crowd
creation.
quikquak/Prod_CrowdChamber
BUY QuikQuak Crowd Chamber VST 2.00b 10$
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QuikQuak Fusion Field 2.60
QuikQuak Fusion Field 2.60
Fusion Field is a smooth diffusion reverb that sits beautifully in a mix. A
clean, unobtrusive sound with a natural falloff that floats and complements
the source material perfectly. Designed to imitate complex, natural spaces,
it is also very easy to use. The main cloud display represents the reverb
in terms of time and frequency, showing all the main parameters and EQ in a
natural way. The reverberation can be dampened in the upper and lower
frequencies, allowing soft sibilance and a graceful, lifting air to the sound.
Having very few controls does not hinder Fusion Fields usefulness. The
dial ranges have been sloped to give the best sensitivity in useful regions,
and the whole unit can create short snappy rooms, or vast time suspended
spaces, and anything in between.
Removing the character of uneven early reflections and various room shapes
leaves the sound pure, so its able to hold the sound in time. Simply
enhancing the sound image without obtrusive additional tones allows for more
space in the mix.
Fusion Field gathers reflections immediately, smoothing out initial
transients, then realistically diffuses the sound to the specified decay
time. The interface has a logical layout, prompting fast editing with
expected results.
Try the demo yourself and choose the "Fusion Field Full" preset, this gives
the longest decay and no filtering. If you send a short sound through the
plug in you will hear the sound as though frozen in the air, and decay
perfectly smoothly in about two minutes.
You can dial up any type of space very easily, with the use of Decay,
Spread, and Distance parameters the algorithms create the suitable room
simulations for you. Complete stereo whitening, even at very tight spread
settings. Incredibly light on CPU resources. Its subtle, but Fusion Fields
unique algorithm creates a highly diffuse and different sound than a typical
all pass filter reverb. Its very affordable with free updates.
quikquak/Prod_Fusion_Field
BUY QuikQuak Fusion Field 2.60 10$
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Fusion Field is a smooth diffusion reverb that sits beautifully in a mix. A
clean, unobtrusive sound with a natural falloff that floats and complements
the source material perfectly. Designed to imitate complex, natural spaces,
it is also very easy to use. The main cloud display represents the reverb
in terms of time and frequency, showing all the main parameters and EQ in a
natural way. The reverberation can be dampened in the upper and lower
frequencies, allowing soft sibilance and a graceful, lifting air to the sound.
Having very few controls does not hinder Fusion Fields usefulness. The
dial ranges have been sloped to give the best sensitivity in useful regions,
and the whole unit can create short snappy rooms, or vast time suspended
spaces, and anything in between.
Removing the character of uneven early reflections and various room shapes
leaves the sound pure, so its able to hold the sound in time. Simply
enhancing the sound image without obtrusive additional tones allows for more
space in the mix.
Fusion Field gathers reflections immediately, smoothing out initial
transients, then realistically diffuses the sound to the specified decay
time. The interface has a logical layout, prompting fast editing with
expected results.
Try the demo yourself and choose the "Fusion Field Full" preset, this gives
the longest decay and no filtering. If you send a short sound through the
plug in you will hear the sound as though frozen in the air, and decay
perfectly smoothly in about two minutes.
You can dial up any type of space very easily, with the use of Decay,
Spread, and Distance parameters the algorithms create the suitable room
simulations for you. Complete stereo whitening, even at very tight spread
settings. Incredibly light on CPU resources. Its subtle, but Fusion Fields
unique algorithm creates a highly diffuse and different sound than a typical
all pass filter reverb. Its very affordable with free updates.
quikquak/Prod_Fusion_Field
BUY QuikQuak Fusion Field 2.60 10$
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QuikQuak Fusion Field 2.60 for Mac
QuikQuak Fusion Field 2.60 for Mac
Fusion Field is a smooth diffusion reverb that sits beautifully in a mix. A
clean, unobtrusive sound with a natural falloff that floats and complements
the source material perfectly. Designed to imitate complex, natural spaces,
it is also very easy to use. The main cloud display represents the reverb
in terms of time and frequency, showing all the main parameters and EQ in a
natural way. The reverberation can be dampened in the upper and lower
frequencies, allowing soft sibilance and a graceful, lifting air to the sound.
Having very few controls does not hinder Fusion Fields usefulness. The
dial ranges have been sloped to give the best sensitivity in useful regions,
and the whole unit can create short snappy rooms, or vast time suspended
spaces, and anything in between.
Removing the character of uneven early reflections and various room shapes
leaves the sound pure, so its able to hold the sound in time. Simply
enhancing the sound image without obtrusive additional tones allows for more
space in the mix.
Fusion Field gathers reflections immediately, smoothing out initial
transients, then realistically diffuses the sound to the specified decay
time. The interface has a logical layout, prompting fast editing with
expected results.
Try the demo yourself and choose the "Fusion Field Full" preset, this gives
the longest decay and no filtering. If you send a short sound through the
plug in you will hear the sound as though frozen in the air, and decay
perfectly smoothly in about two minutes.
You can dial up any type of space very easily, with the use of Decay,
Spread, and Distance parameters the algorithms create the suitable room
simulations for you. Complete stereo whitening, even at very tight spread
settings. Incredibly light on CPU resources. Its subtle, but Fusion Fields
unique algorithm creates a highly diffuse and different sound than a typical
all pass filter reverb. Its very affordable with free updates.
quikquak/Prod_Fusion_Field
BUY QuikQuak Fusion Field 2.60 for Mac 10$
TAGS download QuikQuak Fusion Field 2.60 for Mac, low price QuikQuak Fusion Field 2.60 for Mac, order QuikQuak Fusion Field 2.60 for Mac
Fusion Field is a smooth diffusion reverb that sits beautifully in a mix. A
clean, unobtrusive sound with a natural falloff that floats and complements
the source material perfectly. Designed to imitate complex, natural spaces,
it is also very easy to use. The main cloud display represents the reverb
in terms of time and frequency, showing all the main parameters and EQ in a
natural way. The reverberation can be dampened in the upper and lower
frequencies, allowing soft sibilance and a graceful, lifting air to the sound.
Having very few controls does not hinder Fusion Fields usefulness. The
dial ranges have been sloped to give the best sensitivity in useful regions,
and the whole unit can create short snappy rooms, or vast time suspended
spaces, and anything in between.
Removing the character of uneven early reflections and various room shapes
leaves the sound pure, so its able to hold the sound in time. Simply
enhancing the sound image without obtrusive additional tones allows for more
space in the mix.
Fusion Field gathers reflections immediately, smoothing out initial
transients, then realistically diffuses the sound to the specified decay
time. The interface has a logical layout, prompting fast editing with
expected results.
Try the demo yourself and choose the "Fusion Field Full" preset, this gives
the longest decay and no filtering. If you send a short sound through the
plug in you will hear the sound as though frozen in the air, and decay
perfectly smoothly in about two minutes.
You can dial up any type of space very easily, with the use of Decay,
Spread, and Distance parameters the algorithms create the suitable room
simulations for you. Complete stereo whitening, even at very tight spread
settings. Incredibly light on CPU resources. Its subtle, but Fusion Fields
unique algorithm creates a highly diffuse and different sound than a typical
all pass filter reverb. Its very affordable with free updates.
quikquak/Prod_Fusion_Field
BUY QuikQuak Fusion Field 2.60 for Mac 10$
TAGS download QuikQuak Fusion Field 2.60 for Mac, low price QuikQuak Fusion Field 2.60 for Mac, order QuikQuak Fusion Field 2.60 for Mac
QuikQuak Fusion Field VST 2.60
QuikQuak Fusion Field VST 2.60
Fusion Field is a smooth diffusion reverb that sits beautifully in a mix. A
clean, unobtrusive sound with a natural falloff that floats and complements
the source material perfectly. Designed to imitate complex, natural spaces,
it is also very easy to use. The main cloud display represents the reverb
in terms of time and frequency, showing all the main parameters and EQ in a
natural way. The reverberation can be dampened in the upper and lower
frequencies, allowing soft sibilance and a graceful, lifting air to the sound.
Having very few controls does not hinder Fusion Fields usefulness. The
dial ranges have been sloped to give the best sensitivity in useful regions,
and the whole unit can create short snappy rooms, or vast time suspended
spaces, and anything in between.
Removing the character of uneven early reflections and various room shapes
leaves the sound pure, so its able to hold the sound in time. Simply
enhancing the sound image without obtrusive additional tones allows for more
space in the mix.
Fusion Field gathers reflections immediately, smoothing out initial
transients, then realistically diffuses the sound to the specified decay
time. The interface has a logical layout, prompting fast editing with
expected results.
Try the demo yourself and choose the "Fusion Field Full" preset, this gives
the longest decay and no filtering. If you send a short sound through the
plug in you will hear the sound as though frozen in the air, and decay
perfectly smoothly in about two minutes.
You can dial up any type of space very easily, with the use of Decay,
Spread, and Distance parameters the algorithms create the suitable room
simulations for you. Complete stereo whitening, even at very tight spread
settings. Incredibly light on CPU resources. Its subtle, but Fusion Fields
unique algorithm creates a highly diffuse and different sound than a typical
all pass filter reverb. Its very affordable with free updates.
quikquak/Prod_Fusion_Field
BUY QuikQuak Fusion Field VST 2.60 10$
TAGS buy QuikQuak Fusion Field VST 2.60, low price QuikQuak Fusion Field VST 2.60, download QuikQuak Fusion Field VST 2.60
Fusion Field is a smooth diffusion reverb that sits beautifully in a mix. A
clean, unobtrusive sound with a natural falloff that floats and complements
the source material perfectly. Designed to imitate complex, natural spaces,
it is also very easy to use. The main cloud display represents the reverb
in terms of time and frequency, showing all the main parameters and EQ in a
natural way. The reverberation can be dampened in the upper and lower
frequencies, allowing soft sibilance and a graceful, lifting air to the sound.
Having very few controls does not hinder Fusion Fields usefulness. The
dial ranges have been sloped to give the best sensitivity in useful regions,
and the whole unit can create short snappy rooms, or vast time suspended
spaces, and anything in between.
Removing the character of uneven early reflections and various room shapes
leaves the sound pure, so its able to hold the sound in time. Simply
enhancing the sound image without obtrusive additional tones allows for more
space in the mix.
Fusion Field gathers reflections immediately, smoothing out initial
transients, then realistically diffuses the sound to the specified decay
time. The interface has a logical layout, prompting fast editing with
expected results.
Try the demo yourself and choose the "Fusion Field Full" preset, this gives
the longest decay and no filtering. If you send a short sound through the
plug in you will hear the sound as though frozen in the air, and decay
perfectly smoothly in about two minutes.
You can dial up any type of space very easily, with the use of Decay,
Spread, and Distance parameters the algorithms create the suitable room
simulations for you. Complete stereo whitening, even at very tight spread
settings. Incredibly light on CPU resources. Its subtle, but Fusion Fields
unique algorithm creates a highly diffuse and different sound than a typical
all pass filter reverb. Its very affordable with free updates.
quikquak/Prod_Fusion_Field
BUY QuikQuak Fusion Field VST 2.60 10$
TAGS buy QuikQuak Fusion Field VST 2.60, low price QuikQuak Fusion Field VST 2.60, download QuikQuak Fusion Field VST 2.60
QuikQuak Glass Viper 1.20
QuikQuak Glass Viper 1.20
Glass Viper is a synthesizer with unique waveform shaping, that has a deep
and natural sense of movement. Going beyond analogue simulation, into a truly
organic sound, from simple old synths to grungy filthy basses, or delicate
pianos to strange unnatural film effects.
Instead of taking a sample or oscillator and applying just filters and FX
techniques, Glass Viper bends the actual shape of its waveforms through a
series of moving control points. Up to four of these swirling and changing
sounds can be layered together to create a huge range of instruments. Glass
Viper allows you to really shake things up with a deep, natural sense of
movement.
From the start, Glass Vipers goal was to make sound creation visual, and
distance itself from mathematics. Making something with a unique sound was
also a priority, and in a world full of synthesizers, this had to mean a
fundamental difference. Without the complexity of many changeable modules,
Glass Viper encourages play and experimentation. Most of the presets
available were bo from experimentation, rather than setting out to make a
particular sound.
Glass Vipers moving waveform is the fundamental to its sound. When a note
is held, the sound can move in a natural and pleasing way, without repetition.
Like RaySpace, the visual aspect is also a major part of Glass Viper,
guiding the user to a more experimental and less mathematical route to sound
creation. The main display will change depending on which panel you are
selecting. On the Voice panel the four waveforms of the currently playing
note are directly displayed. On the Global panel the actual whole output
waveform is plotted. And on the Waveshaper panel, you can edit the waveforms
in real time so you can really get the feel of the sound creation process.
There is an extensive copy and paste algorithm, which enables you to copy
either each panel, voice or whole (4 voices) instruments this speeds up the
sound creation process enormously, and also allows the user to use parts of
different presets to make new ones.
quikquak/Prod_GlassViper
BUY QuikQuak Glass Viper 1.20 10$
TAGS low price QuikQuak Glass Viper 1.20, low price QuikQuak Glass Viper 1.20, download QuikQuak Glass Viper 1.20
Glass Viper is a synthesizer with unique waveform shaping, that has a deep
and natural sense of movement. Going beyond analogue simulation, into a truly
organic sound, from simple old synths to grungy filthy basses, or delicate
pianos to strange unnatural film effects.
Instead of taking a sample or oscillator and applying just filters and FX
techniques, Glass Viper bends the actual shape of its waveforms through a
series of moving control points. Up to four of these swirling and changing
sounds can be layered together to create a huge range of instruments. Glass
Viper allows you to really shake things up with a deep, natural sense of
movement.
From the start, Glass Vipers goal was to make sound creation visual, and
distance itself from mathematics. Making something with a unique sound was
also a priority, and in a world full of synthesizers, this had to mean a
fundamental difference. Without the complexity of many changeable modules,
Glass Viper encourages play and experimentation. Most of the presets
available were bo from experimentation, rather than setting out to make a
particular sound.
Glass Vipers moving waveform is the fundamental to its sound. When a note
is held, the sound can move in a natural and pleasing way, without repetition.
Like RaySpace, the visual aspect is also a major part of Glass Viper,
guiding the user to a more experimental and less mathematical route to sound
creation. The main display will change depending on which panel you are
selecting. On the Voice panel the four waveforms of the currently playing
note are directly displayed. On the Global panel the actual whole output
waveform is plotted. And on the Waveshaper panel, you can edit the waveforms
in real time so you can really get the feel of the sound creation process.
There is an extensive copy and paste algorithm, which enables you to copy
either each panel, voice or whole (4 voices) instruments this speeds up the
sound creation process enormously, and also allows the user to use parts of
different presets to make new ones.
quikquak/Prod_GlassViper
BUY QuikQuak Glass Viper 1.20 10$
TAGS low price QuikQuak Glass Viper 1.20, low price QuikQuak Glass Viper 1.20, download QuikQuak Glass Viper 1.20
2010/05/29
QuikQuak Glass Viper 1.21 for Mac
QuikQuak Glass Viper 1.21 for Mac
Glass Viper is a synthesizer with unique waveform shaping, that has a deep
and natural sense of movement. Going beyond analogue simulation, into a truly
organic sound, from simple old synths to grungy filthy basses, or delicate
pianos to strange unnatural film effects.
Instead of taking a sample or oscillator and applying just filters and FX
techniques, Glass Viper bends the actual shape of its waveforms through a
series of moving control points. Up to four of these swirling and changing
sounds can be layered together to create a huge range of instruments. Glass
Viper allows you to really shake things up with a deep, natural sense of
movement.
From the start, Glass Vipers goal was to make sound creation visual, and
distance itself from mathematics. Making something with a unique sound was
also a priority, and in a world full of synthesizers, this had to mean a
fundamental difference. Without the complexity of many changeable modules,
Glass Viper encourages play and experimentation. Most of the presets
available were bo from experimentation, rather than setting out to make a
particular sound.
Glass Vipers moving waveform is the fundamental to its sound. When a note
is held, the sound can move in a natural and pleasing way, without repetition.
Like RaySpace, the visual aspect is also a major part of Glass Viper,
guiding the user to a more experimental and less mathematical route to sound
creation. The main display will change depending on which panel you are
selecting. On the Voice panel the four waveforms of the currently playing
note are directly displayed. On the Global panel the actual whole output
waveform is plotted. And on the Waveshaper panel, you can edit the waveforms
in real time so you can really get the feel of the sound creation process.
There is an extensive copy and paste algorithm, which enables you to copy
either each panel, voice or whole (4 voices) instruments this speeds up the
sound creation process enormously, and also allows the user to use parts of
different presets to make new ones.
quikquak/Prod_GlassViper
BUY QuikQuak Glass Viper 1.21 for Mac 10$
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Glass Viper is a synthesizer with unique waveform shaping, that has a deep
and natural sense of movement. Going beyond analogue simulation, into a truly
organic sound, from simple old synths to grungy filthy basses, or delicate
pianos to strange unnatural film effects.
Instead of taking a sample or oscillator and applying just filters and FX
techniques, Glass Viper bends the actual shape of its waveforms through a
series of moving control points. Up to four of these swirling and changing
sounds can be layered together to create a huge range of instruments. Glass
Viper allows you to really shake things up with a deep, natural sense of
movement.
From the start, Glass Vipers goal was to make sound creation visual, and
distance itself from mathematics. Making something with a unique sound was
also a priority, and in a world full of synthesizers, this had to mean a
fundamental difference. Without the complexity of many changeable modules,
Glass Viper encourages play and experimentation. Most of the presets
available were bo from experimentation, rather than setting out to make a
particular sound.
Glass Vipers moving waveform is the fundamental to its sound. When a note
is held, the sound can move in a natural and pleasing way, without repetition.
Like RaySpace, the visual aspect is also a major part of Glass Viper,
guiding the user to a more experimental and less mathematical route to sound
creation. The main display will change depending on which panel you are
selecting. On the Voice panel the four waveforms of the currently playing
note are directly displayed. On the Global panel the actual whole output
waveform is plotted. And on the Waveshaper panel, you can edit the waveforms
in real time so you can really get the feel of the sound creation process.
There is an extensive copy and paste algorithm, which enables you to copy
either each panel, voice or whole (4 voices) instruments this speeds up the
sound creation process enormously, and also allows the user to use parts of
different presets to make new ones.
quikquak/Prod_GlassViper
BUY QuikQuak Glass Viper 1.21 for Mac 10$
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QuikQuak Glass Viper VSTi 1.20c
QuikQuak Glass Viper VSTi 1.20c
Glass Viper is a synthesizer with unique waveform shaping, that has a deep
and natural sense of movement. Going beyond analogue simulation, into a truly
organic sound, from simple old synths to grungy filthy basses, or delicate
pianos to strange unnatural film effects.
Instead of taking a sample or oscillator and applying just filters and FX
techniques, Glass Viper bends the actual shape of its waveforms through a
series of moving control points. Up to four of these swirling and changing
sounds can be layered together to create a huge range of instruments. Glass
Viper allows you to really shake things up with a deep, natural sense of
movement.
From the start, Glass Vipers goal was to make sound creation visual, and
distance itself from mathematics. Making something with a unique sound was
also a priority, and in a world full of synthesizers, this had to mean a
fundamental difference. Without the complexity of many changeable modules,
Glass Viper encourages play and experimentation. Most of the presets
available were bo from experimentation, rather than setting out to make a
particular sound.
Glass Vipers moving waveform is the fundamental to its sound. When a note
is held, the sound can move in a natural and pleasing way, without repetition.
Like RaySpace, the visual aspect is also a major part of Glass Viper,
guiding the user to a more experimental and less mathematical route to sound
creation. The main display will change depending on which panel you are
selecting. On the Voice panel the four waveforms of the currently playing
note are directly displayed. On the Global panel the actual whole output
waveform is plotted. And on the Waveshaper panel, you can edit the waveforms
in real time so you can really get the feel of the sound creation process.
There is an extensive copy and paste algorithm, which enables you to copy
either each panel, voice or whole (4 voices) instruments this speeds up the
sound creation process enormously, and also allows the user to use parts of
different presets to make new ones.
quikquak/Prod_GlassViper
BUY QuikQuak Glass Viper VSTi 1.20c 10$
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Glass Viper is a synthesizer with unique waveform shaping, that has a deep
and natural sense of movement. Going beyond analogue simulation, into a truly
organic sound, from simple old synths to grungy filthy basses, or delicate
pianos to strange unnatural film effects.
Instead of taking a sample or oscillator and applying just filters and FX
techniques, Glass Viper bends the actual shape of its waveforms through a
series of moving control points. Up to four of these swirling and changing
sounds can be layered together to create a huge range of instruments. Glass
Viper allows you to really shake things up with a deep, natural sense of
movement.
From the start, Glass Vipers goal was to make sound creation visual, and
distance itself from mathematics. Making something with a unique sound was
also a priority, and in a world full of synthesizers, this had to mean a
fundamental difference. Without the complexity of many changeable modules,
Glass Viper encourages play and experimentation. Most of the presets
available were bo from experimentation, rather than setting out to make a
particular sound.
Glass Vipers moving waveform is the fundamental to its sound. When a note
is held, the sound can move in a natural and pleasing way, without repetition.
Like RaySpace, the visual aspect is also a major part of Glass Viper,
guiding the user to a more experimental and less mathematical route to sound
creation. The main display will change depending on which panel you are
selecting. On the Voice panel the four waveforms of the currently playing
note are directly displayed. On the Global panel the actual whole output
waveform is plotted. And on the Waveshaper panel, you can edit the waveforms
in real time so you can really get the feel of the sound creation process.
There is an extensive copy and paste algorithm, which enables you to copy
either each panel, voice or whole (4 voices) instruments this speeds up the
sound creation process enormously, and also allows the user to use parts of
different presets to make new ones.
quikquak/Prod_GlassViper
BUY QuikQuak Glass Viper VSTi 1.20c 10$
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QuikQuak Pitchwheel 3.10 for Mac
QuikQuak Pitchwheel 3.10 for Mac
The Pitchwheel plug in freely alters the pitch of a sound without changing
its length. It has a large, easy to use dial and simple parameters making it
a fast and creative effect unit. It can give fine tuning control from
fractions of a semi tone to huge multi octave pitch swings. 8 note chords can
be played through MIDI, allowing harmonies to be constructed easily from the
audio input. The user pointer acts as a desired pitch change, and the actual
pitch is produced by gravity and inertia controls. Pitchwheel moves towards
the desired pitch at sample accuracy, enabling nice transitions without
stepping artifacts. A DJ tutable feel can be created with some play, but
the difference here is that the tempo remains the same, so your track can go
on without sequence timing changes. You can of course use it static, to
create odd alien sounds, and character changes. Dopler effects can be easily
simulated, or just use it to alter background atmospheres in real time to get
them just right. The stereo image is kept intact on all pitches, without
movement across the channels.
Pitchwheel now has a new pitch shifting engine that has taken several
months to create, its 46ms (44k) latency makes it the most responsive
wideband pitch shifter on the market. And with excellent tonal and transient
quality, makes it a great tool for any studio.
quikquak/Prod_Pitchwheel
BUY QuikQuak Pitchwheel 3.10 for Mac 10$
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The Pitchwheel plug in freely alters the pitch of a sound without changing
its length. It has a large, easy to use dial and simple parameters making it
a fast and creative effect unit. It can give fine tuning control from
fractions of a semi tone to huge multi octave pitch swings. 8 note chords can
be played through MIDI, allowing harmonies to be constructed easily from the
audio input. The user pointer acts as a desired pitch change, and the actual
pitch is produced by gravity and inertia controls. Pitchwheel moves towards
the desired pitch at sample accuracy, enabling nice transitions without
stepping artifacts. A DJ tutable feel can be created with some play, but
the difference here is that the tempo remains the same, so your track can go
on without sequence timing changes. You can of course use it static, to
create odd alien sounds, and character changes. Dopler effects can be easily
simulated, or just use it to alter background atmospheres in real time to get
them just right. The stereo image is kept intact on all pitches, without
movement across the channels.
Pitchwheel now has a new pitch shifting engine that has taken several
months to create, its 46ms (44k) latency makes it the most responsive
wideband pitch shifter on the market. And with excellent tonal and transient
quality, makes it a great tool for any studio.
quikquak/Prod_Pitchwheel
BUY QuikQuak Pitchwheel 3.10 for Mac 10$
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QuikQuak Pitchwheel 3.11
QuikQuak Pitchwheel 3.11
The Pitchwheel plug in freely alters the pitch of a sound without changing
its length. It has a large, easy to use dial and simple parameters making it
a fast and creative effect unit. It can give fine tuning control from
fractions of a semi tone to huge multi octave pitch swings. 8 note chords can
be played through MIDI, allowing harmonies to be constructed easily from the
audio input. The user pointer acts as a desired pitch change, and the actual
pitch is produced by gravity and inertia controls. Pitchwheel moves towards
the desired pitch at sample accuracy, enabling nice transitions without
stepping artifacts. A DJ tutable feel can be created with some play, but
the difference here is that the tempo remains the same, so your track can go
on without sequence timing changes. You can of course use it static, to
create odd alien sounds, and character changes. Dopler effects can be easily
simulated, or just use it to alter background atmospheres in real time to get
them just right. The stereo image is kept intact on all pitches, without
movement across the channels.
Pitchwheel now has a new pitch shifting engine that has taken several
months to create, its 46ms (44k) latency makes it the most responsive
wideband pitch shifter on the market. And with excellent tonal and transient
quality, makes it a great tool for any studio.
quikquak/Prod_Pitchwheel
BUY QuikQuak Pitchwheel 3.11 10$
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The Pitchwheel plug in freely alters the pitch of a sound without changing
its length. It has a large, easy to use dial and simple parameters making it
a fast and creative effect unit. It can give fine tuning control from
fractions of a semi tone to huge multi octave pitch swings. 8 note chords can
be played through MIDI, allowing harmonies to be constructed easily from the
audio input. The user pointer acts as a desired pitch change, and the actual
pitch is produced by gravity and inertia controls. Pitchwheel moves towards
the desired pitch at sample accuracy, enabling nice transitions without
stepping artifacts. A DJ tutable feel can be created with some play, but
the difference here is that the tempo remains the same, so your track can go
on without sequence timing changes. You can of course use it static, to
create odd alien sounds, and character changes. Dopler effects can be easily
simulated, or just use it to alter background atmospheres in real time to get
them just right. The stereo image is kept intact on all pitches, without
movement across the channels.
Pitchwheel now has a new pitch shifting engine that has taken several
months to create, its 46ms (44k) latency makes it the most responsive
wideband pitch shifter on the market. And with excellent tonal and transient
quality, makes it a great tool for any studio.
quikquak/Prod_Pitchwheel
BUY QuikQuak Pitchwheel 3.11 10$
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QuikQuak Pitchwheel VST 3.11
QuikQuak Pitchwheel VST 3.11
The Pitchwheel plug in freely alters the pitch of a sound without changing
its length. It has a large, easy to use dial and simple parameters making it
a fast and creative effect unit. It can give fine tuning control from
fractions of a semi tone to huge multi octave pitch swings. 8 note chords can
be played through MIDI, allowing harmonies to be constructed easily from the
audio input. The user pointer acts as a desired pitch change, and the actual
pitch is produced by gravity and inertia controls. Pitchwheel moves towards
the desired pitch at sample accuracy, enabling nice transitions without
stepping artifacts. A DJ tutable feel can be created with some play, but
the difference here is that the tempo remains the same, so your track can go
on without sequence timing changes. You can of course use it static, to
create odd alien sounds, and character changes. Dopler effects can be easily
simulated, or just use it to alter background atmospheres in real time to get
them just right. The stereo image is kept intact on all pitches, without
movement across the channels.
Pitchwheel now has a new pitch shifting engine that has taken several
months to create, its 46ms (44k) latency makes it the most responsive
wideband pitch shifter on the market. And with excellent tonal and transient
quality, makes it a great tool for any studio.
quikquak/Prod_Pitchwheel
BUY QuikQuak Pitchwheel VST 3.11 10$
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The Pitchwheel plug in freely alters the pitch of a sound without changing
its length. It has a large, easy to use dial and simple parameters making it
a fast and creative effect unit. It can give fine tuning control from
fractions of a semi tone to huge multi octave pitch swings. 8 note chords can
be played through MIDI, allowing harmonies to be constructed easily from the
audio input. The user pointer acts as a desired pitch change, and the actual
pitch is produced by gravity and inertia controls. Pitchwheel moves towards
the desired pitch at sample accuracy, enabling nice transitions without
stepping artifacts. A DJ tutable feel can be created with some play, but
the difference here is that the tempo remains the same, so your track can go
on without sequence timing changes. You can of course use it static, to
create odd alien sounds, and character changes. Dopler effects can be easily
simulated, or just use it to alter background atmospheres in real time to get
them just right. The stereo image is kept intact on all pitches, without
movement across the channels.
Pitchwheel now has a new pitch shifting engine that has taken several
months to create, its 46ms (44k) latency makes it the most responsive
wideband pitch shifter on the market. And with excellent tonal and transient
quality, makes it a great tool for any studio.
quikquak/Prod_Pitchwheel
BUY QuikQuak Pitchwheel VST 3.11 10$
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RS-Met Straightliner VSTi 10.03
RS-Met Straightliner VSTi 10.03
Straightliner is a straight lined subtractive synthesizer in a mode
guise. You will find the well known building blocks of classic analog
synthesizers (4 oscillators, a filter, 2 envelope generators) patched
together in the traditional way. What sets it apart from the sheer mass of
other subtractive (also often called virtual analog) synthesizers is, that it
does not attempt to emulate analog synthesizers with all their physically
imposed limitations. Instead, Straightliner takes full advantage of the
extended possibilities that sofware based synthesis offers: Instead of
relying on a set of fixed waveforms, Straightliners oscillators support
loading of arbitrary (single cycle) audio files which may be even stereo.
Mono waveforms can be stereoized inside the synth itself by manipulations of
the phase spectrum and by detuning left and right channel. In tu, the whole
signal path is laid out in stereo. The standard ADSR model for envelopes is
replaced by a flexible modulation generator which allows to define an
arbitrary number of breakpoints. The heart of subtractive synthesizers is the
filter. In this department, Straightliner offers a multimode filter with
various modes, among them the usual suspects like lowpass, highpass, bandpass
and a sophisticated Moog filter model but also several other interesting
types. The user interface of the synth focuses on visual editors instead of
the commonly seen hardware oriented interfaces. These visual editors dont
just sketch the resulting curves but exactly represent what is being
generated in a what you see is what you get manner.
rs met/
BUY RS-Met Straightliner VSTi 10.03 10$
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Straightliner is a straight lined subtractive synthesizer in a mode
guise. You will find the well known building blocks of classic analog
synthesizers (4 oscillators, a filter, 2 envelope generators) patched
together in the traditional way. What sets it apart from the sheer mass of
other subtractive (also often called virtual analog) synthesizers is, that it
does not attempt to emulate analog synthesizers with all their physically
imposed limitations. Instead, Straightliner takes full advantage of the
extended possibilities that sofware based synthesis offers: Instead of
relying on a set of fixed waveforms, Straightliners oscillators support
loading of arbitrary (single cycle) audio files which may be even stereo.
Mono waveforms can be stereoized inside the synth itself by manipulations of
the phase spectrum and by detuning left and right channel. In tu, the whole
signal path is laid out in stereo. The standard ADSR model for envelopes is
replaced by a flexible modulation generator which allows to define an
arbitrary number of breakpoints. The heart of subtractive synthesizers is the
filter. In this department, Straightliner offers a multimode filter with
various modes, among them the usual suspects like lowpass, highpass, bandpass
and a sophisticated Moog filter model but also several other interesting
types. The user interface of the synth focuses on visual editors instead of
the commonly seen hardware oriented interfaces. These visual editors dont
just sketch the resulting curves but exactly represent what is being
generated in a what you see is what you get manner.
rs met/
BUY RS-Met Straightliner VSTi 10.03 10$
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Refined Audiometrics VST PACK
Refined Audiometrics VST PACK
CLAS/NR Compressive Loudness Audio Shaping with Noise Reduction
The CLAS plugin has been a huge smash with recording engineers and
artists alike. But one of the problems with this kind of processing,
when used at high relative treble enhancment levels as an exciter, is
an increase in high frequency noise and hiss. This is particularly
troublesome for live sessions and old recordings.
To overcome this problem when recording, we have implemented a variant
of CLAS that incorporates a sliding filter Noise Reduction unit ahead
of the CLAS processing. Analog implementations of sliding filter noise
reduction have been used in the past to implement Dolby B and Dolby C
noise reduction encoding. We are doing it here, for the first time, in
digital form.
In practice, one simply adjusts the Threshold for noise reduction
until, under ambient noise levels, one sees the Noise Reduction meter
fully closed down. The two red bars on the left extend all the way to
the bottom. At thresholds just below that point, you will see the
noise reduction bars dancing up and down.
If Threshold is set too far below your actual noise levels, then of
course the noise reduction bars retract all the way up, indicating that
it thinks signal is present. The same happens with any noise gate
technology.
Conversely, with this kind of noise reduction scheme, setting the
threshold too far above the actual noise level will produce "noise
modulation" on actual signals a kind of stuttering sound. That
typically happens when your threshold is 20 dB or more above the actual
noise level, and it occurs because the sliding filters are biting into
the top of your sound spectrum in an effort to eat that much "noise".
But when adjusted properly, and this is very easy to do with our Noise
Reduction bar graph, the sliding filter noise reduction technique works
very well indeed. With Noise Reduction ahead of CLAS processing, you
can safely boost the highs without fear of undue noise degradation. As
soon as the signal falls away, the sliding filter slams shut, keeping
noise at bay.
CLAS NR uses upsampling ahead of the filtering for sample rates below
80 kHz, using a slightly different technique than our PLParEQ, but for
the same kind of quality improvements. Filtered results are downsampled
again to your system sample rate. The upsampling used is much lighter
weight than PLParEQ requiring much lower CPU loading. (Note: the free
CLAS plugin does not perform this high SR filtering.)
CLAS NR uses 64 bit computation throughout, and it is 64 bit ready for
Sonar 5. For 24/32 bit systems, the 64 bit results are dithered back to
your host wordsize using our sophisticated Gaussian PDF dither.
CLAS NR performs equally well in stereo or on mono tracks, using
autosensing of the host connections. (Some hosts do not advertise Mono
inserts properly).
CLAS NR can accommodate all sample rates.
refinedaudiometrics
PLParEQ is a 10 band Phase Linear Parametric Equalizer
of the highest quality. Each filter may
assume any of many different filter characteristics,
and operate in either traditional phase warping mode,
or our phase linear mode. It uses the same inteal
DSP core as all of our other high end products. Audio
streams are treated in either stereo or mono.
Individual filters can be applied to either both
stereo channels, middle only, or side only.
This PC VST plugin can operate in traditional 32 bit
mode (24 bit audio) or as a 64 bit plugin for
Cakewalks new Sonar 5. All inteal processing is
carried out in double precision 64 bit floating
point, regardless of exteal host mode.
For audio streams at sample rates below 80 kHz the
DSP engine inteally upsamples with high quality
Sinc interpolation, applies its filtering, and then
downsamples back to your system sample rate.
Available filter types include all of the
conventional resonant 2 pole lowpass, highpass,
bandpass, band reject, all pass, high and low
shelving, and the three Oxford variants of
peaking/dipping filters. Also included are 1 pole
lowpass and highpass, 4 pole resonant Butterworth
lowpass and highpass, 6 pole notch for killing 50/60
Hz and other troublesome spurs (very tight and
narrow), 1/F pinking filter, tunable 1/F lowpass ( 3
dB/octave), tunable F highpass (+3 dB/octave), and A,
B, and C weighting filters. The list of filters
continues to grow as we identify more useful
variations.
You can run all of the filters at native sample rates
higher than 80 kHz, and forego the inteal
upsampling conversions. Upper limits on the sample
rate (> 96 kHz) are dicted primarily by your
computers capacity, and your need for high quality
at the very lowest frequencies (below 100 Hz).
Individual filters can be operated as either
traditional phase warping, or phase linear. Our
algorithms employ blocked processing for phase
linear operation, and produce phase linearity by
sending the signal through each filter twice once
in the forward time direction, and then again the the
time reversed direction, thereby unwinding the phase
back to zero.
The blocks are reassembled using very high quality
windowing and 8 fold temporal overlap. IMD resulting
from phase linear operation has been measured as 120
dB from peak signal levels. (IMD test measurements)
Coer frequencies for filters can be adjusted from
10 Hz to 30 kHz at all sample rates.
Computation proceeds in double precision floating
point throughout the entire DSP core, which uses 56
bit mantissas and 80 bit intermediate products and
sums. At the last stage of conversion back to 24 bit
audio, we dither with a carefully crafted white
Gaussian dither from the 56 bit mantissas to the 24
bit mantissas utilized thorughout by VST hosts. Our
noise floor is typically measured at around 180
dB/Root(Hz). The Gaussian dither distribution is
provably more preserving than more commonly used
triangular distributions.
Our tests indicate that PLParEQ requires about 5 6
of our computer speed capacity, with each additional
filter enabled requiring an additional 0.5 1 at the
highest quality levels. These tests were performed on
a 3 GHz Pentium 4 computer with HyperThreading
enabled. Different VST hosts will show varying
requirements. Our tests were performed with Mackies
Tracktion 2 as the VST host. Performance on a more
mode Pentium IV are likely to show improvements
upon these results.
(IMD test measurement statistics The signal was a
0.5 dBFS 1 kHz sinewave at 44.1 kHz SR. The
filtering was performed as a Q20 phase linear
bandpass filter centered at 1 kHz with unity gain,
and using the highest quality setting largest
resampling blocksize.
The test chart exhibits a spectral resolution of 0.67
Hz, with the IMD spurs spaced by 43.1 Hz. The signal
was inteally upsampled to 88.2 kHz for filter
application, then downsampled back to 44.1 kHz for
final output.)
refinedaudiometrics
PLParEQX Our Phase Linear Parametric Equalizer
Featuring X Technology for Light CPU Loading
PLParEQX utilize our X Technology to provide phase
linear filtering at a very light CPU loading for
Intel and AMD computers.
Whereas PLParEQ is an ultra high quality phase linear
parametric equalizer for mastering use, the X
Technology series offers slightly lower quality at
significantly reduced CPU loading, making them useful
for routine mixing and tracking applications.
PLParEQX is a 10 band version. Both offer high
quality oversampling in the processing and up to 5
levels of Quality. The lower quality levels are
useful when you need minimum processing latency, and
in tu you are willing to accept increased levels of
sonic artifacts. Our measurements indicate that the
lowest quality level has IMD products about 96 dB
below signal levels.
Our X Series filters are 64 bit ready for Sonar 5,
and offer classical filtering shapes in purely phase
linear mode for minimum sound degradation,
especially in sharp attacks when imposing strongly
varying filtering with frequency.
We offer a full complement of lowpass, bandpass,
band reject, and highpass filters, classical shelving
and peaking filters, as well as some novel low slope
filtering for when you just need a slight attenuation
with frequency. Also offered are A, B, and C
weighting filters, and a killer 6 pole Notch filter
for absolutely killing that bothersome spur.
The 3 band unit offers the basic complement of
filters, without the more advanced ones offered in
the 10 band unit.
The magic of our X Technology is such that no matter
how many filters you activate, the CPU loading is the
same low level. On tests with a 3 GHz Pentium 4 we
find the loading in Sonar 5, running in 64 bit mode,
to be around 4 significantly lower than the
premier PLParEQ filters. The quality may be a bit
compromised, but can you hear the difference?
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CLAS/NR Compressive Loudness Audio Shaping with Noise Reduction
The CLAS plugin has been a huge smash with recording engineers and
artists alike. But one of the problems with this kind of processing,
when used at high relative treble enhancment levels as an exciter, is
an increase in high frequency noise and hiss. This is particularly
troublesome for live sessions and old recordings.
To overcome this problem when recording, we have implemented a variant
of CLAS that incorporates a sliding filter Noise Reduction unit ahead
of the CLAS processing. Analog implementations of sliding filter noise
reduction have been used in the past to implement Dolby B and Dolby C
noise reduction encoding. We are doing it here, for the first time, in
digital form.
In practice, one simply adjusts the Threshold for noise reduction
until, under ambient noise levels, one sees the Noise Reduction meter
fully closed down. The two red bars on the left extend all the way to
the bottom. At thresholds just below that point, you will see the
noise reduction bars dancing up and down.
If Threshold is set too far below your actual noise levels, then of
course the noise reduction bars retract all the way up, indicating that
it thinks signal is present. The same happens with any noise gate
technology.
Conversely, with this kind of noise reduction scheme, setting the
threshold too far above the actual noise level will produce "noise
modulation" on actual signals a kind of stuttering sound. That
typically happens when your threshold is 20 dB or more above the actual
noise level, and it occurs because the sliding filters are biting into
the top of your sound spectrum in an effort to eat that much "noise".
But when adjusted properly, and this is very easy to do with our Noise
Reduction bar graph, the sliding filter noise reduction technique works
very well indeed. With Noise Reduction ahead of CLAS processing, you
can safely boost the highs without fear of undue noise degradation. As
soon as the signal falls away, the sliding filter slams shut, keeping
noise at bay.
CLAS NR uses upsampling ahead of the filtering for sample rates below
80 kHz, using a slightly different technique than our PLParEQ, but for
the same kind of quality improvements. Filtered results are downsampled
again to your system sample rate. The upsampling used is much lighter
weight than PLParEQ requiring much lower CPU loading. (Note: the free
CLAS plugin does not perform this high SR filtering.)
CLAS NR uses 64 bit computation throughout, and it is 64 bit ready for
Sonar 5. For 24/32 bit systems, the 64 bit results are dithered back to
your host wordsize using our sophisticated Gaussian PDF dither.
CLAS NR performs equally well in stereo or on mono tracks, using
autosensing of the host connections. (Some hosts do not advertise Mono
inserts properly).
CLAS NR can accommodate all sample rates.
refinedaudiometrics
PLParEQ is a 10 band Phase Linear Parametric Equalizer
of the highest quality. Each filter may
assume any of many different filter characteristics,
and operate in either traditional phase warping mode,
or our phase linear mode. It uses the same inteal
DSP core as all of our other high end products. Audio
streams are treated in either stereo or mono.
Individual filters can be applied to either both
stereo channels, middle only, or side only.
This PC VST plugin can operate in traditional 32 bit
mode (24 bit audio) or as a 64 bit plugin for
Cakewalks new Sonar 5. All inteal processing is
carried out in double precision 64 bit floating
point, regardless of exteal host mode.
For audio streams at sample rates below 80 kHz the
DSP engine inteally upsamples with high quality
Sinc interpolation, applies its filtering, and then
downsamples back to your system sample rate.
Available filter types include all of the
conventional resonant 2 pole lowpass, highpass,
bandpass, band reject, all pass, high and low
shelving, and the three Oxford variants of
peaking/dipping filters. Also included are 1 pole
lowpass and highpass, 4 pole resonant Butterworth
lowpass and highpass, 6 pole notch for killing 50/60
Hz and other troublesome spurs (very tight and
narrow), 1/F pinking filter, tunable 1/F lowpass ( 3
dB/octave), tunable F highpass (+3 dB/octave), and A,
B, and C weighting filters. The list of filters
continues to grow as we identify more useful
variations.
You can run all of the filters at native sample rates
higher than 80 kHz, and forego the inteal
upsampling conversions. Upper limits on the sample
rate (> 96 kHz) are dicted primarily by your
computers capacity, and your need for high quality
at the very lowest frequencies (below 100 Hz).
Individual filters can be operated as either
traditional phase warping, or phase linear. Our
algorithms employ blocked processing for phase
linear operation, and produce phase linearity by
sending the signal through each filter twice once
in the forward time direction, and then again the the
time reversed direction, thereby unwinding the phase
back to zero.
The blocks are reassembled using very high quality
windowing and 8 fold temporal overlap. IMD resulting
from phase linear operation has been measured as 120
dB from peak signal levels. (IMD test measurements)
Coer frequencies for filters can be adjusted from
10 Hz to 30 kHz at all sample rates.
Computation proceeds in double precision floating
point throughout the entire DSP core, which uses 56
bit mantissas and 80 bit intermediate products and
sums. At the last stage of conversion back to 24 bit
audio, we dither with a carefully crafted white
Gaussian dither from the 56 bit mantissas to the 24
bit mantissas utilized thorughout by VST hosts. Our
noise floor is typically measured at around 180
dB/Root(Hz). The Gaussian dither distribution is
provably more preserving than more commonly used
triangular distributions.
Our tests indicate that PLParEQ requires about 5 6
of our computer speed capacity, with each additional
filter enabled requiring an additional 0.5 1 at the
highest quality levels. These tests were performed on
a 3 GHz Pentium 4 computer with HyperThreading
enabled. Different VST hosts will show varying
requirements. Our tests were performed with Mackies
Tracktion 2 as the VST host. Performance on a more
mode Pentium IV are likely to show improvements
upon these results.
(IMD test measurement statistics The signal was a
0.5 dBFS 1 kHz sinewave at 44.1 kHz SR. The
filtering was performed as a Q20 phase linear
bandpass filter centered at 1 kHz with unity gain,
and using the highest quality setting largest
resampling blocksize.
The test chart exhibits a spectral resolution of 0.67
Hz, with the IMD spurs spaced by 43.1 Hz. The signal
was inteally upsampled to 88.2 kHz for filter
application, then downsampled back to 44.1 kHz for
final output.)
refinedaudiometrics
PLParEQX Our Phase Linear Parametric Equalizer
Featuring X Technology for Light CPU Loading
PLParEQX utilize our X Technology to provide phase
linear filtering at a very light CPU loading for
Intel and AMD computers.
Whereas PLParEQ is an ultra high quality phase linear
parametric equalizer for mastering use, the X
Technology series offers slightly lower quality at
significantly reduced CPU loading, making them useful
for routine mixing and tracking applications.
PLParEQX is a 10 band version. Both offer high
quality oversampling in the processing and up to 5
levels of Quality. The lower quality levels are
useful when you need minimum processing latency, and
in tu you are willing to accept increased levels of
sonic artifacts. Our measurements indicate that the
lowest quality level has IMD products about 96 dB
below signal levels.
Our X Series filters are 64 bit ready for Sonar 5,
and offer classical filtering shapes in purely phase
linear mode for minimum sound degradation,
especially in sharp attacks when imposing strongly
varying filtering with frequency.
We offer a full complement of lowpass, bandpass,
band reject, and highpass filters, classical shelving
and peaking filters, as well as some novel low slope
filtering for when you just need a slight attenuation
with frequency. Also offered are A, B, and C
weighting filters, and a killer 6 pole Notch filter
for absolutely killing that bothersome spur.
The 3 band unit offers the basic complement of
filters, without the more advanced ones offered in
the 10 band unit.
The magic of our X Technology is such that no matter
how many filters you activate, the CPU loading is the
same low level. On tests with a 3 GHz Pentium 4 we
find the loading in Sonar 5, running in 64 bit mode,
to be around 4 significantly lower than the
premier PLParEQ filters. The quality may be a bit
compromised, but can you hear the difference?
refinedaudiometrics
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Refx Slayer 2 VSTi 2.6
Refx Slayer 2 VSTi 2.6
Slayer 2 starts from where its predecessor left off.
In particular, the physical model of the guitar has
been completely revamped, improving the quality of
the simulation dramatically. Not only does Slayer 2
sound a whole lot better, it is also much more flexible.
Up to 16 effects can now be used simultaneously; half
of them before, and half of them after the amplifier.
You can place any of the sixteen available stomp box
effects in any of the sixteen available effect slots.
When you want to change the order of the effects, just
dragndrop.
BUY Refx Slayer 2 VSTi 2.6 10$
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Slayer 2 starts from where its predecessor left off.
In particular, the physical model of the guitar has
been completely revamped, improving the quality of
the simulation dramatically. Not only does Slayer 2
sound a whole lot better, it is also much more flexible.
Up to 16 effects can now be used simultaneously; half
of them before, and half of them after the amplifier.
You can place any of the sixteen available stomp box
effects in any of the sixteen available effect slots.
When you want to change the order of the effects, just
dragndrop.
BUY Refx Slayer 2 VSTi 2.6 10$
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Rob Hubbards Return Soundbank for quadraSID
Rob Hubbards Return Soundbank for quadraSID
Tu the clock back to when it all started: reFX presents a new
QuadraSID soundbank made by Rob Hubbard. The legendary C64
composer is possibly the best known computer game musicians of
all time. Back in the 80s he wrote the scores for more than 75
C64 games including such hits as Sanxion, Commando, Battle of
Britain, The Human Race, Inteational Karate and Gerry The Germ.
All 128 patches were made by Rob Hubbard himself and all typical
C64 sounds are included in this bank: synthetic drums, basses,
leads, arpeggio and effect sounds. Get the timeless C64 sounds
for QuadraSID from its original creator only here from reFX!
001 Delta Rif Raf
002 Hello Mr. Hat
003 Olde Square Kick
004 Snare 1
005 Snare 2
006 Cave Troll Drum
007 2 Oct Blip
008 1 Oct Blip
009 Antartic Wind
010 Babbling Brook
011 Banjo
012 Bass 1
013 Bass Percusion 1
014 Chomping Komping Poly
015 Chopper Rotor
016 Clarinet
017 Classic Square Laser
018 Clavinet
019 HoMer Clavinet
020 Orch Bass Drum
021 Digery Doo Hickey
022 Distant Explosion
023 Electro Bass
024 Olde Skool Explosion
025 MadFiddler
026 Throbbing Head Bass
027 Filter S H
028 Hi Tek Stick Fire
029 Hollow Bass
030 IK Lead
031 IK Intro Warble
032 Jaw Harp
033 Laser Reverb
034 Lead Synth 1
035 Lead Synth 2
036 Lead Synth 3
037 Lead Synth 4
038 Lucky Man M@@g
039 Lunatic is in my head
040 Major Triad
041 Minor Triad
042 Piccolo
043 Gerry Has Germinated
044 Random Pitch
045 Sad Sidney
046 Sanxion Bass Line
047 Spark Plug
048 Synth Bass1
049 TB 303 bass
050 Thingy Springy
051 Casio Toy Piano
052 Polysynth w/velocity
053 Velocity Sid Bone
054 Violin
055 Ye Olde Siddy Fx
056 Hard Sink Unis 1/3
057 Hard Sink Unis 2/3
058 Hard Sink Unis 3/3
059 Echo Lead Unis 1/3
060 Echo Lead Unis 2/3
061 Echo Lead Unis 3/3
062 Sanxion Unis m/whl 1/3
063 Sanxion Unis m/whl 2/3
064 Sanxion Unis m/whl 3/3
065 Harpsichord
066 Tubular bell Unis 1/3
067 Tubular bell Unis 2/3
068 Tubular bell Unis 3/3
069 Low Tek Drum Patte
070 We hate RingTones!
071 Sleigh Bells Unis 1/3
072 Sleigh Bells Unis 2/3
073 Sleigh Bells Unis 3/3
074 FM explosion
075 Squeeze Box Pad
076 Triangle Pad
077 Polysynth Pad
078 Kick Drum
079 Snare 3
080 Unison W.A.R lead 1/1
081 Unison W.A.R lead 1/2
082 Unison W.A.R lead 1/3
083 Organ 1/3
084 Organ 2/3
085 Organ 3/3
086 Organ Fast 1/3
087 Organ Fast 2/3
088 Organ Fast 3/3
089 Wine Glass
090 Wave Shaper
091 12/8 bass n drum
092 Hi Score Riff
093 Splash Cymbal
094 Sammy Foxy
095 Sawtooth Pad
096 ActionBiker 40 secs
097 Flute w/attack
098 Laser fire 2
099 Co Net
100 FAT unison 1/3
101 FAT unison 2/3
102 FAT unison 3/3
103 Saw Phaze unis 1/3
104 Saw Phaze unis 2/3
105 Saw Phaze unis 3/3
106 Sword Swish
107 Army o Horses
108 CrazyComets
109 Kick Drum 2
110 VXD fatal error
111 Oboe
112 Turkish Delight mod whl
113 Hockey Bass 140 bpm
114 Aqua Tark 1/3
115 Aqua Tark 2/3
116 Aqua Tark 3/3
117 ET Phone Home 1/3
118 ET Phone Home 2/3
119 ET Phone Home 3/3
120 Jack wins Pot
121 Bass Percussion 2
122 Low Tek Lektric Tom
123 SteamTrain
124 Phantasy Unis 1/3
125 Phantasy Unis 2/3
126 Phantasy Unis 3/3
127 Hang Up! 1/3
128 Hang Up! 2/3
Feature highlights:
128 original presets in FXB format
refx.net/?pagessc_quadraSIDRHRetu
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Tu the clock back to when it all started: reFX presents a new
QuadraSID soundbank made by Rob Hubbard. The legendary C64
composer is possibly the best known computer game musicians of
all time. Back in the 80s he wrote the scores for more than 75
C64 games including such hits as Sanxion, Commando, Battle of
Britain, The Human Race, Inteational Karate and Gerry The Germ.
All 128 patches were made by Rob Hubbard himself and all typical
C64 sounds are included in this bank: synthetic drums, basses,
leads, arpeggio and effect sounds. Get the timeless C64 sounds
for QuadraSID from its original creator only here from reFX!
001 Delta Rif Raf
002 Hello Mr. Hat
003 Olde Square Kick
004 Snare 1
005 Snare 2
006 Cave Troll Drum
007 2 Oct Blip
008 1 Oct Blip
009 Antartic Wind
010 Babbling Brook
011 Banjo
012 Bass 1
013 Bass Percusion 1
014 Chomping Komping Poly
015 Chopper Rotor
016 Clarinet
017 Classic Square Laser
018 Clavinet
019 HoMer Clavinet
020 Orch Bass Drum
021 Digery Doo Hickey
022 Distant Explosion
023 Electro Bass
024 Olde Skool Explosion
025 MadFiddler
026 Throbbing Head Bass
027 Filter S H
028 Hi Tek Stick Fire
029 Hollow Bass
030 IK Lead
031 IK Intro Warble
032 Jaw Harp
033 Laser Reverb
034 Lead Synth 1
035 Lead Synth 2
036 Lead Synth 3
037 Lead Synth 4
038 Lucky Man M@@g
039 Lunatic is in my head
040 Major Triad
041 Minor Triad
042 Piccolo
043 Gerry Has Germinated
044 Random Pitch
045 Sad Sidney
046 Sanxion Bass Line
047 Spark Plug
048 Synth Bass1
049 TB 303 bass
050 Thingy Springy
051 Casio Toy Piano
052 Polysynth w/velocity
053 Velocity Sid Bone
054 Violin
055 Ye Olde Siddy Fx
056 Hard Sink Unis 1/3
057 Hard Sink Unis 2/3
058 Hard Sink Unis 3/3
059 Echo Lead Unis 1/3
060 Echo Lead Unis 2/3
061 Echo Lead Unis 3/3
062 Sanxion Unis m/whl 1/3
063 Sanxion Unis m/whl 2/3
064 Sanxion Unis m/whl 3/3
065 Harpsichord
066 Tubular bell Unis 1/3
067 Tubular bell Unis 2/3
068 Tubular bell Unis 3/3
069 Low Tek Drum Patte
070 We hate RingTones!
071 Sleigh Bells Unis 1/3
072 Sleigh Bells Unis 2/3
073 Sleigh Bells Unis 3/3
074 FM explosion
075 Squeeze Box Pad
076 Triangle Pad
077 Polysynth Pad
078 Kick Drum
079 Snare 3
080 Unison W.A.R lead 1/1
081 Unison W.A.R lead 1/2
082 Unison W.A.R lead 1/3
083 Organ 1/3
084 Organ 2/3
085 Organ 3/3
086 Organ Fast 1/3
087 Organ Fast 2/3
088 Organ Fast 3/3
089 Wine Glass
090 Wave Shaper
091 12/8 bass n drum
092 Hi Score Riff
093 Splash Cymbal
094 Sammy Foxy
095 Sawtooth Pad
096 ActionBiker 40 secs
097 Flute w/attack
098 Laser fire 2
099 Co Net
100 FAT unison 1/3
101 FAT unison 2/3
102 FAT unison 3/3
103 Saw Phaze unis 1/3
104 Saw Phaze unis 2/3
105 Saw Phaze unis 3/3
106 Sword Swish
107 Army o Horses
108 CrazyComets
109 Kick Drum 2
110 VXD fatal error
111 Oboe
112 Turkish Delight mod whl
113 Hockey Bass 140 bpm
114 Aqua Tark 1/3
115 Aqua Tark 2/3
116 Aqua Tark 3/3
117 ET Phone Home 1/3
118 ET Phone Home 2/3
119 ET Phone Home 3/3
120 Jack wins Pot
121 Bass Percussion 2
122 Low Tek Lektric Tom
123 SteamTrain
124 Phantasy Unis 1/3
125 Phantasy Unis 2/3
126 Phantasy Unis 3/3
127 Hang Up! 1/3
128 Hang Up! 2/3
Feature highlights:
128 original presets in FXB format
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Rob Papen Blue VSTi RTAS 1.8.5d
Rob Papen Blue VSTi RTAS 1.8.5d
This exciting synth delivers FM Synthesis, Phase Distortion Synthesis, Wave
Shaping Synthesis and Subtractive Synthesis is one creative combination! We
call it "Crossfusion synthesis".
BLUE has six oscillators which can be connected in various ways, two
analogue style modelled stereo filters, an enormous range of processing and
modulation options, sequencer and an incredibly powerful arpeggiator.
Despite these heavy features, BLUE is so easy to use thanks to its user
interface and the innovative easy edit page for quick sound changes!
This all brought together with over 1700 inspirational Rob Papen presets
covering a wide range of musical styles.
BLUE 1.8 is out now, with new features like "Unison", "Chord memory with
strum" and "Ensemble and Compressor FX", 400 new presets and a fast
browser.
robpapen
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This exciting synth delivers FM Synthesis, Phase Distortion Synthesis, Wave
Shaping Synthesis and Subtractive Synthesis is one creative combination! We
call it "Crossfusion synthesis".
BLUE has six oscillators which can be connected in various ways, two
analogue style modelled stereo filters, an enormous range of processing and
modulation options, sequencer and an incredibly powerful arpeggiator.
Despite these heavy features, BLUE is so easy to use thanks to its user
interface and the innovative easy edit page for quick sound changes!
This all brought together with over 1700 inspirational Rob Papen presets
covering a wide range of musical styles.
BLUE 1.8 is out now, with new features like "Unison", "Chord memory with
strum" and "Ensemble and Compressor FX", 400 new presets and a fast
browser.
robpapen
BUY Rob Papen Blue VSTi RTAS 1.8.5d 20$
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Rob Papen LinPlug Albino VSTi 3.0.2
Rob Papen LinPlug Albino VSTi 3.0.2
In 2002 Rob Papen approached Peter Linsener of LinPlug with
the idea of a sound designers dream synth.
A few months later ALBINO was bo! This very unique synth
stole the hearts of many musicians due to its high quality
sound, usability and inspirational presets.
Now, just when you thought things couldnt get any better...
Albino 3 arrives!
There are loads of amazing new creative features added like
the two new filters "Scream" and "Comb"; four FX units with
new FX like LoFi and WahWah; a Compressor and an improved
Reverb.
But the biggest new feature is that you can layer up to four
instances of Albino in one single preset!
Albino 3 has more than 2100 Rob Papen presets in various
styles of music plus two banks by the very talented REYN
(Famous Dutch producer), Noisia (Dutch DnB) and NarvanaX
(Dutch Hardcore).
Key features
AU, RTAS and VST plug in synthesizer for PC and Mac
Modular and extendable design currently with with 4
Oscillator Modules, 4 Filter Modules, 2 Envelope Modules and
12 Effect Modules
32 voice polyphonic (CPU dependent)
More than more than 2000 Rob Papen presets, integrated sound
browser
up to 4 oscillator per voice and layer, various High Quality
Oscillator types with countless waveforms
Oscillator AM and FM and "Pulse Width Modulation" for all
(!) waveforms, oscillator sync, filter FM
up to 2 filters per voice and layer, each with 4 types of
multimode filters, altogether 20 filter modes, saturation
control
up to 8 envelopes per voice and layer, 2 types: 5 levels / 5
rates with loop and ADSFR mode
Variable keyboard and velocity tracking, individual for each
envelope
up to 4 LFOs per voice and layer with various waveforms,
broad range of tempo sync, Symmetry and Phase adjustable,
additional DAD envelopes for every LFO
Controller hardware (faderbox or synth) can be used to
control Albinos parameters using the LinPlug ECS
Portamento / Glide with various options, constant Time or
Rate and Auto Bend
Improved adjustable Precision to bring in the warmth of good
old analogue modules
Sophisticated Arpeggiator per layr with 32 programmeable
steps, several modes, swing, several clock settings,
save/load/copy/paste and many more functions
Modulation matrix with more than 1000 modulation routings
Spread for ultra fat sounds (up to 20 Oscillators per
layer)
Microtuning support (TUN files) for different scales
Up to 4 effect blocks per layer with chorus, flanger,
phaser, filter, distortion, delays, reverb, gator, wah,
compressor and LoFi effects
Fully recognized velocity, mono and poly aftertouch, pitch
bend, mod wheel and various other controllers
Full version comes with a comprehensive PDF manual (box
version with printed manual)
Sample accurate timing, full automation and settings are
saved with your song
The Layers
Each preset can now be made up of 4 individual layers. So
actually a sound can make use of up to 80 oscillators for a
single note ( 4 Layers, 4 Oscillators each, 5 times Spread). A
typical todays DAW, either Mac or PC can usually handle about
120 Albino 3 Digital Oscillators or 75 Albino 3Analoge?
Oscillators. But to explore the musical possibilities that the
Albino 3 Layers offer to you we recommend to check out the
presets that come with Albino 3. Some people told us that now
they have a full song right at their fingertips. Thanks for
the compliment.
Rob Papen presets
The famed Dutch sound designer Rob Papen provided more than
2000 presets that cover all type of sounds for todays
contemporary music. After providing presets for the Emu
Orbit 3 and Access Virus. Get hold of the third version of
this masterpiece of instrument design and sound design, get
hold of Albino 3 and the more than 2000 Rob Papen presets for
the music of today.
Powerful Arpeggiator
Each layer can have an up to 32 step rhythm arpeggiator with
several modes in ALBINO : up, down, up/down, down/up, as
played, random mode and a chord and modulation mode.
It can be retriggered, it can swing with your music and you
can mix its step velocity values with the velocity you played
the chord. Your own creations can be save or copy/pasted to
other presets. Many of the new presets make use of the
Arpeggiator and the possibilities are literary endless.
Requirements
VST2.0 capable host software
Minimum
Screen resolution of 1024 x 768
PC: 500 MHz, 256 Mb RAM, Windows 98 or newer
Recommended
Screen resolution of 1280 x 960
PC: 1 GHz, 512 Mb RAM, Windows XP or newer
New in this version
reduced CPU load with open layer window
alteative color for text displays
fixed seldom crash on closing editor while sequencer is
running
fixed resizing in Logic 5/6 (Mac only)
filters do now bypass when switched off
fixed hangup when loading sessions with multiple
instances of Albino (Mac AU only)
improved sound when feeding filters with spreaded
oscillators at full volume
linplug
BUY Rob Papen LinPlug Albino VSTi 3.0.2 15$
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In 2002 Rob Papen approached Peter Linsener of LinPlug with
the idea of a sound designers dream synth.
A few months later ALBINO was bo! This very unique synth
stole the hearts of many musicians due to its high quality
sound, usability and inspirational presets.
Now, just when you thought things couldnt get any better...
Albino 3 arrives!
There are loads of amazing new creative features added like
the two new filters "Scream" and "Comb"; four FX units with
new FX like LoFi and WahWah; a Compressor and an improved
Reverb.
But the biggest new feature is that you can layer up to four
instances of Albino in one single preset!
Albino 3 has more than 2100 Rob Papen presets in various
styles of music plus two banks by the very talented REYN
(Famous Dutch producer), Noisia (Dutch DnB) and NarvanaX
(Dutch Hardcore).
Key features
AU, RTAS and VST plug in synthesizer for PC and Mac
Modular and extendable design currently with with 4
Oscillator Modules, 4 Filter Modules, 2 Envelope Modules and
12 Effect Modules
32 voice polyphonic (CPU dependent)
More than more than 2000 Rob Papen presets, integrated sound
browser
up to 4 oscillator per voice and layer, various High Quality
Oscillator types with countless waveforms
Oscillator AM and FM and "Pulse Width Modulation" for all
(!) waveforms, oscillator sync, filter FM
up to 2 filters per voice and layer, each with 4 types of
multimode filters, altogether 20 filter modes, saturation
control
up to 8 envelopes per voice and layer, 2 types: 5 levels / 5
rates with loop and ADSFR mode
Variable keyboard and velocity tracking, individual for each
envelope
up to 4 LFOs per voice and layer with various waveforms,
broad range of tempo sync, Symmetry and Phase adjustable,
additional DAD envelopes for every LFO
Controller hardware (faderbox or synth) can be used to
control Albinos parameters using the LinPlug ECS
Portamento / Glide with various options, constant Time or
Rate and Auto Bend
Improved adjustable Precision to bring in the warmth of good
old analogue modules
Sophisticated Arpeggiator per layr with 32 programmeable
steps, several modes, swing, several clock settings,
save/load/copy/paste and many more functions
Modulation matrix with more than 1000 modulation routings
Spread for ultra fat sounds (up to 20 Oscillators per
layer)
Microtuning support (TUN files) for different scales
Up to 4 effect blocks per layer with chorus, flanger,
phaser, filter, distortion, delays, reverb, gator, wah,
compressor and LoFi effects
Fully recognized velocity, mono and poly aftertouch, pitch
bend, mod wheel and various other controllers
Full version comes with a comprehensive PDF manual (box
version with printed manual)
Sample accurate timing, full automation and settings are
saved with your song
The Layers
Each preset can now be made up of 4 individual layers. So
actually a sound can make use of up to 80 oscillators for a
single note ( 4 Layers, 4 Oscillators each, 5 times Spread). A
typical todays DAW, either Mac or PC can usually handle about
120 Albino 3 Digital Oscillators or 75 Albino 3Analoge?
Oscillators. But to explore the musical possibilities that the
Albino 3 Layers offer to you we recommend to check out the
presets that come with Albino 3. Some people told us that now
they have a full song right at their fingertips. Thanks for
the compliment.
Rob Papen presets
The famed Dutch sound designer Rob Papen provided more than
2000 presets that cover all type of sounds for todays
contemporary music. After providing presets for the Emu
Orbit 3 and Access Virus. Get hold of the third version of
this masterpiece of instrument design and sound design, get
hold of Albino 3 and the more than 2000 Rob Papen presets for
the music of today.
Powerful Arpeggiator
Each layer can have an up to 32 step rhythm arpeggiator with
several modes in ALBINO : up, down, up/down, down/up, as
played, random mode and a chord and modulation mode.
It can be retriggered, it can swing with your music and you
can mix its step velocity values with the velocity you played
the chord. Your own creations can be save or copy/pasted to
other presets. Many of the new presets make use of the
Arpeggiator and the possibilities are literary endless.
Requirements
VST2.0 capable host software
Minimum
Screen resolution of 1024 x 768
PC: 500 MHz, 256 Mb RAM, Windows 98 or newer
Recommended
Screen resolution of 1280 x 960
PC: 1 GHz, 512 Mb RAM, Windows XP or newer
New in this version
reduced CPU load with open layer window
alteative color for text displays
fixed seldom crash on closing editor while sequencer is
running
fixed resizing in Logic 5/6 (Mac only)
filters do now bypass when switched off
fixed hangup when loading sessions with multiple
instances of Albino (Mac AU only)
improved sound when feeding filters with spreaded
oscillators at full volume
linplug
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Rob Papen Predator VSTi RTAS 1.5.8
Rob Papen Predator VSTi RTAS 1.5.8
Predator is a "phat sounding" killer synthesizer that combines inspiring
presets and first class features to make this your go to synth for
contemporary music production.
The user interface has been designed so that almost all controls are
visible on screen, making it fun and incredibly easy to use. And if youre
unsure about a particular synth function, simply right click your mouse to
access the help screen.
Predator is packed with powerful features such as Preset Morphing,
Intelligent Preset Variation, MIDI and Synth Controllable FX, Unison
Detune, Chord Memory and an extremely versatile Arpeggiator.
Included preset banks: HipHop (NY, Club, DirtySouth and Gfunk) banks. Jump,
hardcore, breakbeat, various trance styles, DnB banks and more...
Last but not least .Predator also includes PredatorFX, allowing you to use
the incredible filters, modulations, effects and vocoder as an FX plug in
within your music host.
Predator 1.5 is out now with even more presets (included Junkie XL presets)
and new features like a great Bank manager!
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Predator is a "phat sounding" killer synthesizer that combines inspiring
presets and first class features to make this your go to synth for
contemporary music production.
The user interface has been designed so that almost all controls are
visible on screen, making it fun and incredibly easy to use. And if youre
unsure about a particular synth function, simply right click your mouse to
access the help screen.
Predator is packed with powerful features such as Preset Morphing,
Intelligent Preset Variation, MIDI and Synth Controllable FX, Unison
Detune, Chord Memory and an extremely versatile Arpeggiator.
Included preset banks: HipHop (NY, Club, DirtySouth and Gfunk) banks. Jump,
hardcore, breakbeat, various trance styles, DnB banks and more...
Last but not least .Predator also includes PredatorFX, allowing you to use
the incredible filters, modulations, effects and vocoder as an FX plug in
within your music host.
Predator 1.5 is out now with even more presets (included Junkie XL presets)
and new features like a great Bank manager!
robpapen
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Rob Papen RG VSTi RTAS 1.1.2a
Rob Papen RG VSTi RTAS 1.1.2a
RG is a brand new groove plug in that is far more than just a "virtual
Rhythm Guitar player .
By using the RG onboard sequencer it is possible to create classic Rhythm
Guitar grooves, but beyond that you can use the synthesizer features and
effects to make fresh new edgy guitar grooves. To play the grooves RG is
using a keyboard layout of "major chords" and "minor chords", each with two
sequence pattes (A or B) option.
It is only a matter of hitting a single note in the major keyboard range or
minor keyboard range and the groove plays. The sound sets are clean sampled
guitars, which gives you great freedom and flexibility when using the
synthesizer features and effects of RG.
Guitar types included are:
The classic Fender Stratocaster . electric guitar
A 8th note groove type Steel String acoustic guitar
A 16th note groove type Steel String acoustic guitar
A Power Chord groove type Distorted guitar
The synthesizer parts of RG include a classic analog modelled synthesizer
filter, LFO, envelopes and modulation section. The effect section can be
built up by using up to 3 effects at a time. Included are midi time based
delays, chorus and also speaker simulators, phaser, flanger and many more.
Included are over 650 presets included 450 "RG" grooves and 200 "basic"
grooves.
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RG is a brand new groove plug in that is far more than just a "virtual
Rhythm Guitar player .
By using the RG onboard sequencer it is possible to create classic Rhythm
Guitar grooves, but beyond that you can use the synthesizer features and
effects to make fresh new edgy guitar grooves. To play the grooves RG is
using a keyboard layout of "major chords" and "minor chords", each with two
sequence pattes (A or B) option.
It is only a matter of hitting a single note in the major keyboard range or
minor keyboard range and the groove plays. The sound sets are clean sampled
guitars, which gives you great freedom and flexibility when using the
synthesizer features and effects of RG.
Guitar types included are:
The classic Fender Stratocaster . electric guitar
A 8th note groove type Steel String acoustic guitar
A 16th note groove type Steel String acoustic guitar
A Power Chord groove type Distorted guitar
The synthesizer parts of RG include a classic analog modelled synthesizer
filter, LFO, envelopes and modulation section. The effect section can be
built up by using up to 3 effects at a time. Included are midi time based
delays, chorus and also speaker simulators, phaser, flanger and many more.
Included are over 650 presets included 450 "RG" grooves and 200 "basic"
grooves.
robpapen
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Rob Papen RP-Verb VST RTAS 1.0.3
Rob Papen RP-Verb VST RTAS 1.0.3
You.ve spent hours on your track.working and reworking every part to bring
your musical vision to life. And you know that the quality of your reverb
can be the difference between the rich sounding mix you.re after and one
that comes off as flat and artificial. Face it: When it comes to pristine,
authentic reverb, it.s the algorithm that counts. RP Verb is the fruit of
Rob Papen.s decades long study of reverb and endless hours of exploring,
testing, and tweaking by Rob and Jon Ayres. The result is exactly what you
would expect: a stunning, musical reverb that brings unmatched dimension
and fullness to your mixes.
But if you.re thinking that this sound quality must come at the cost of
usability, fear not.RP Verb has a straightforward, intuitive interface that
puts all the most essential parameters right at your fingertips. And like
all Rob Papen plug ins, it inspires right out of the box with spot on
presets that range from intimate venues to abstract, surreal spaces.
RP Verb is the reverb you.ve waited years to have in your setup.
robpapen
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You.ve spent hours on your track.working and reworking every part to bring
your musical vision to life. And you know that the quality of your reverb
can be the difference between the rich sounding mix you.re after and one
that comes off as flat and artificial. Face it: When it comes to pristine,
authentic reverb, it.s the algorithm that counts. RP Verb is the fruit of
Rob Papen.s decades long study of reverb and endless hours of exploring,
testing, and tweaking by Rob and Jon Ayres. The result is exactly what you
would expect: a stunning, musical reverb that brings unmatched dimension
and fullness to your mixes.
But if you.re thinking that this sound quality must come at the cost of
usability, fear not.RP Verb has a straightforward, intuitive interface that
puts all the most essential parameters right at your fingertips. And like
all Rob Papen plug ins, it inspires right out of the box with spot on
presets that range from intimate venues to abstract, surreal spaces.
RP Verb is the reverb you.ve waited years to have in your setup.
robpapen
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Rob Papen SubBoomBass VSTi RTAS 1.0.3c
Rob Papen SubBoomBass VSTi RTAS 1.0.3c
SubBoomBass is filled with excessive amounts of low end ammunition to
detonate your tracks! With presets designed by the legendary Rob Papen and
other guest artists, this dedicated bass synth will supply you with huge
cone rattling sounds that will devastate any music track. This software
instrument is great for Hip Hop and RnB but can also be used for Dubstep,
video game music, film scores and more...
SubBoomBass has been carefully crafted to provide you with the tools to
create fresh new bass lines. It includes unique tuned drum percussion
samples which are great for Hip Hop and RnB basses but can also be used to
add rhythm flavour to your tracks. Also check out the innovative Wave
sequence feature which will open up brand new sonic possibilities for
your music.
Other features included are two effects slots which can be modulated using
midi from any of the synthesizer parts. SubBoomBass also features a great
Easy Edit page and the unique Quick Browser system that will allow you
to find the sounds you need quickly and easily.
robpapen
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SubBoomBass is filled with excessive amounts of low end ammunition to
detonate your tracks! With presets designed by the legendary Rob Papen and
other guest artists, this dedicated bass synth will supply you with huge
cone rattling sounds that will devastate any music track. This software
instrument is great for Hip Hop and RnB but can also be used for Dubstep,
video game music, film scores and more...
SubBoomBass has been carefully crafted to provide you with the tools to
create fresh new bass lines. It includes unique tuned drum percussion
samples which are great for Hip Hop and RnB basses but can also be used to
add rhythm flavour to your tracks. Also check out the innovative Wave
sequence feature which will open up brand new sonic possibilities for
your music.
Other features included are two effects slots which can be modulated using
midi from any of the synthesizer parts. SubBoomBass also features a great
Easy Edit page and the unique Quick Browser system that will allow you
to find the sounds you need quickly and easily.
robpapen
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2010/05/28
Ross Bencina AudioMulch 2.0.4
Ross Bencina AudioMulch 2.0.4
AudioMulch is an interactive musician?fs environment for PC and Mac. It is
used for live electronic music performance, composition and sound design.
AudioMulch allows you to make music by patching together a range of sound
producing and processing modules. Unlike some patcher based programming
environments, AudioMulchs modules perform high level musical functions, so
you dont have to create things from the ground up using individual
oscillators and filters. AudioMulch is designed for live performance and
improvisation you can process live audio sources and control every knob
and slider on the user interface using a MIDI controller.
audiomulch/
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AudioMulch is an interactive musician?fs environment for PC and Mac. It is
used for live electronic music performance, composition and sound design.
AudioMulch allows you to make music by patching together a range of sound
producing and processing modules. Unlike some patcher based programming
environments, AudioMulchs modules perform high level musical functions, so
you dont have to create things from the ground up using individual
oscillators and filters. AudioMulch is designed for live performance and
improvisation you can process live audio sources and control every knob
and slider on the user interface using a MIDI controller.
audiomulch/
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SPL Complete AU VST RTAS TDM OSX INTEL
SPL Complete AU VST RTAS TDM OSX INTEL
EQ Ranger Vol. 1
The EQ Ranger plug ins are based upon the EQ modules for the SPL RackPack
series. They combine the amazing sound of passive fliters with extremely
efficient operation.
This EQ package provides Bass Ranger, Vox Ranger and Full Ranger. While Bass
Ranger and Vox Ranger are specialized to process their specific frequency
ranges, the Full Ranger complements the specialists with a set of filter bands
that covers the whole frequency range.
An extremely easy to use, powerful set of wonderful sounding EQs.
SPL Transient Designer
This Analog Code plug in is based upon the original analog Transient Designer
from SPL which established the revolutionary concept for level independent
dynamic processing.
Only two controls allow to completely reshape the attack and sustain
characteristics of a sound: Attack can be amplified or attenuated by up to 15dB
while sustain can be amplified or attenuated by up to 24 dB.
Working with the Transient Designer is very simple, however, the possibilities
for studio and live application are seemingly endless.
TwinTube
As with all Analog Code plug.ins, the TwinTube plug in is modeled after an SPL
analog hardware processors. In this case the TwinTube processor of SPLs
RackPack modular system has been the paragon. The TwinTube combines the two main
artifacts that can be produced with tubes: harmonics and saturation effects.
Our programmers did a great job in creating a very good sounding tube
simulation. The special qualities of the analog TwinTube are in enhancing in
fact nearly any signal with the classic analog sound attributes. Now we can
fully transfer those amazing results to the digital domain. And where could the
warm, transparent and smooth sound of analog tube and coil filtering make more
sense than in DAW productions?
Vitalizer
The Vitalizer applies psychoacoustic and audiometric principles to achieve a
verifiable improvement while enhancing the sound. The Vitalizer processes only
the original signal and generates no artifacts. Patented filtering techniques
highlight the richness of the audio signal in all its detail, while the
interactive parameters make it possible to alter the sound in a musical and
effective way. This unique combination of precise filtering and intuitive
usability enable you to instantly make any music production more stimulating and
natural. Music and speech are made clearly distinguishable and comprehensible,
loudness more intense, and the whole soundscape becomes wider.
spl.info/
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EQ Ranger Vol. 1
The EQ Ranger plug ins are based upon the EQ modules for the SPL RackPack
series. They combine the amazing sound of passive fliters with extremely
efficient operation.
This EQ package provides Bass Ranger, Vox Ranger and Full Ranger. While Bass
Ranger and Vox Ranger are specialized to process their specific frequency
ranges, the Full Ranger complements the specialists with a set of filter bands
that covers the whole frequency range.
An extremely easy to use, powerful set of wonderful sounding EQs.
SPL Transient Designer
This Analog Code plug in is based upon the original analog Transient Designer
from SPL which established the revolutionary concept for level independent
dynamic processing.
Only two controls allow to completely reshape the attack and sustain
characteristics of a sound: Attack can be amplified or attenuated by up to 15dB
while sustain can be amplified or attenuated by up to 24 dB.
Working with the Transient Designer is very simple, however, the possibilities
for studio and live application are seemingly endless.
TwinTube
As with all Analog Code plug.ins, the TwinTube plug in is modeled after an SPL
analog hardware processors. In this case the TwinTube processor of SPLs
RackPack modular system has been the paragon. The TwinTube combines the two main
artifacts that can be produced with tubes: harmonics and saturation effects.
Our programmers did a great job in creating a very good sounding tube
simulation. The special qualities of the analog TwinTube are in enhancing in
fact nearly any signal with the classic analog sound attributes. Now we can
fully transfer those amazing results to the digital domain. And where could the
warm, transparent and smooth sound of analog tube and coil filtering make more
sense than in DAW productions?
Vitalizer
The Vitalizer applies psychoacoustic and audiometric principles to achieve a
verifiable improvement while enhancing the sound. The Vitalizer processes only
the original signal and generates no artifacts. Patented filtering techniques
highlight the richness of the audio signal in all its detail, while the
interactive parameters make it possible to alter the sound in a musical and
effective way. This unique combination of precise filtering and intuitive
usability enable you to instantly make any music production more stimulating and
natural. Music and speech are made clearly distinguishable and comprehensible,
loudness more intense, and the whole soundscape becomes wider.
spl.info/
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SPL Plug-In Bundle Native Complete VST RTAS AU VST3 1.2 OSX INTEL
SPL Plug-In Bundle Native Complete VST RTAS AU VST3 1.2 OSX INTEL
While SPL.s hardware has been fascinating audio professionals from
home studio owners to mastering engineers in the world.s most famous
facilities, there has been a continuing and ever growing demand for digital
(DAW) users to be able to enjoy this technology.
Now we are proud to announce that our software design team has
transferred the features and performance of our analog processors to the
digital domain. Using the latest, most powerful methods available for high
precision modeling of our analog circuit designs, SPL has produced
results far beyond pure mathematical approaches.
These digital products are so amazingly close to their analog equivalents
that we call them the Analog Code. plug ins.
All native versions of the Analog Code plug ins support RTAS, VST and
AU formats. The TDM versions always include all native formats. The
number of instances is not limited for both native and TDM versions, it
solely depends on system performance how many instances can be
started at a time.
The new Analog Code MicroPlugs provide single functions of the Analog
Code plug ins. The first MicroPlugs offer functions of the Transient
Designer . the development of further MicroPlugs is in progress.
EQ Rangers Vol. 1
Transient Designer
TwinTube
Vitalizer.
MicroPlugs
spl.info/?id331
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While SPL.s hardware has been fascinating audio professionals from
home studio owners to mastering engineers in the world.s most famous
facilities, there has been a continuing and ever growing demand for digital
(DAW) users to be able to enjoy this technology.
Now we are proud to announce that our software design team has
transferred the features and performance of our analog processors to the
digital domain. Using the latest, most powerful methods available for high
precision modeling of our analog circuit designs, SPL has produced
results far beyond pure mathematical approaches.
These digital products are so amazingly close to their analog equivalents
that we call them the Analog Code. plug ins.
All native versions of the Analog Code plug ins support RTAS, VST and
AU formats. The TDM versions always include all native formats. The
number of instances is not limited for both native and TDM versions, it
solely depends on system performance how many instances can be
started at a time.
The new Analog Code MicroPlugs provide single functions of the Analog
Code plug ins. The first MicroPlugs offer functions of the Transient
Designer . the development of further MicroPlugs is in progress.
EQ Rangers Vol. 1
Transient Designer
TwinTube
Vitalizer.
MicroPlugs
spl.info/?id331
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SlowMusic 1.0 for Mac
SlowMusic 1.0 for Mac
SlowMusic is an application which has the ability to slow down
music without changing its pitch.
It can also be used to change the pitch without affecting the
tempo.
andydrabble.users.btopenworld/Site/Index
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SlowMusic is an application which has the ability to slow down
music without changing its pitch.
It can also be used to change the pitch without affecting the
tempo.
andydrabble.users.btopenworld/Site/Index
BUY SlowMusic 1.0 for Mac 3$
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